{"id":7059,"date":"2025-10-22T12:33:47","date_gmt":"2025-10-22T12:33:47","guid":{"rendered":"https:\/\/www.itcjournal.org\/?page_id=7059"},"modified":"2025-10-24T16:01:48","modified_gmt":"2025-10-24T16:01:48","slug":"first-2-2","status":"publish","type":"page","link":"http:\/\/www.itcjournal.org\/?page_id=7059","title":{"rendered":"ITCJournal"},"content":{"rendered":"<div class=\"wpb-content-wrapper\">[vc_row][vc_column][layerslider_vc id=&#8221;16&#8243;][\/vc_column][vc_column][vc_message css=&#8221;&#8221;]Dear Friends, I hope that you will enjoy the trailer of the movie based on my latest book,\u00a0<em>Friedel\u2019s Conversations with the Dead<\/em>, which will be launched in October 2025:<\/p>\n<p><a href=\"https:\/\/vimeo.com\/1101457845\/b733e4da13?share=copy\" target=\"_blank\" rel=\"noopener\">https:\/\/vimeo.com\/1101457845\/b733e4da13?share=copy<\/a><\/p>\n<p>Don\u2019t miss the great movie directed by Fernando Cortizo!<\/p>\n<p>Anabela Cardoso<\/p>\n<p>&nbsp;<\/p>\n<p>Queridos Amigos,<\/p>\n<p>Aqu\u00ed est\u00e1 el trailer de la pel\u00edcula basada en mi \u00faltimo libro,\u00a0<em>Friedel\u2019s Conversations with the Dead,<\/em>\u00a0que ser\u00e1 lanzada en Octubre 2025:<\/p>\n<p><a href=\"https:\/\/vimeo.com\/1101457845\/b733e4da13?share=copy\" target=\"_blank\" rel=\"noopener\">https:\/\/vimeo.com\/1101457845\/b733e4da13?share=copy<\/a><\/p>\n<p>No perd\u00e1is el gran documental dirigido por Fernando Cortizo!<\/p>\n<p>Anabela Cardoso<a href=\"https:\/\/vimeo.com\/1101457845\/b733e4da13?share=copy\" target=\"_blank\" rel=\"noopener\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter wp-image-7021 size-medium\" src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2025\/07\/Trailer_Jurgenson-300x168.jpg\" alt=\"\" width=\"300\" height=\"168\" srcset=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2025\/07\/Trailer_Jurgenson-300x168.jpg 300w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2025\/07\/Trailer_Jurgenson-1024x573.jpg 1024w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2025\/07\/Trailer_Jurgenson-768x430.jpg 768w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2025\/07\/Trailer_Jurgenson-430x240.jpg 430w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2025\/07\/Trailer_Jurgenson.jpg 1080w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>[\/vc_message][vc_basic_grid post_type=&#8221;post&#8221; max_items=&#8221;3&#8243; style=&#8221;pagination&#8221; paging_design=&#8221;none&#8221; grid_id=&#8221;vc_gid:1761321354630-06504b33-55ec-3&#8243;][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator border_width=&#8221;4&#8243;][\/vc_column][\/vc_row][vc_row bg_type=&#8221;image&#8221; parallax_style=&#8221;vcpb-default&#8221; bg_image_new=&#8221;id^5967|url^http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/11\/Fondo-slider.jpg|caption^null|alt^null|title^Fondo-slider|description^null&#8221; bg_image_repeat=&#8221;no-repeat&#8221; el_class=&#8221;center-todo&#8221;][vc_column css=&#8221;.vc_custom_1740226273391{margin-left: 30px !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;}&#8221;][vc_column_text]\n<h2 class=\"elm-maintitle\" style=\"text-align: center;\">Anabela Cardoso\u2019s main publications<\/h2>\n[\/vc_column_text]<div class=\"dt-shortcode with-isotope\"><div class=\"wf-container dt-portfolio-shortcode jgrid-shortcode loading-effect-fade-in iso-grid jg-container description-on-hover hover-style-two hover-fade content-align-centre\" data-padding=\"30px\" data-cur-page=\"1\" data-posts-per-page=\"-1\" data-target-height=\"340px\">\n<div class=\"wf-cell\" data-post-id=\"6612\" data-date=\"2023-04-07T07:53:57+00:00\" data-name=\"Friedel\u2019s Conversations with the Dead\">\n<article class=\"post post-6612 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-books dt_portfolio_category-165 text-centered\">\n\n\t<figure class=\"rollover-project rollover-active\">\n\t<a href=\"http:\/\/www.itcjournal.org\/?dt_portfolio=friedels-conversations-with-the-dead\" class=\"layzr-bg\" title=\"9781786772305 copy\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"preload-me jgrid-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20285%20442&#39;%2F%3E\" data-src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2023\/04\/9781786772305-copy-285x442.jpg\" data-srcset=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2023\/04\/9781786772305-copy-285x442.jpg 285w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2023\/04\/9781786772305-copy-570x884.jpg 570w\" loading=\"eager\" style=\"--ratio: 285 \/ 442\" sizes=\"(max-width: 285px) 100vw, 285px\" alt=\"\" width=\"285\" height=\"442\"  \/><\/a>\t\t<figcaption class=\"rollover-content\">\n\t\t<div class=\"links-container\"><a href=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2023\/04\/9781786772305-copy.jpg\" class=\"project-zoom dt-pswp-item dt-single-pswp-popup\" title=\"9781786772305 copy\" data-dt-img-description=\"\" data-large_image_width=\"1400\" data-large_image_height=\"2168\" aria-label=\"Portfolio zoom icon\">Zoom<\/a><\/div>\t\t\t\t<div class=\"rollover-content-container\">\n\t\t\t<h3 class=\"entry-title\"><a href=\"http:\/\/www.itcjournal.org\/?dt_portfolio=friedels-conversations-with-the-dead\" title=\"Friedel\u2019s Conversations with the Dead\" rel=\"bookmark\">Friedel\u2019s Conversations with the Dead<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n<\/div>\n<div class=\"wf-cell\" data-post-id=\"6427\" data-date=\"2022-09-07T16:43:37+00:00\" data-name=\"Breakthrough: (Foreword)\">\n<article class=\"post post-6427 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-books dt_portfolio_category-165 text-centered\">\n\n\t<figure class=\"rollover-project rollover-active\">\n\t<a href=\"http:\/\/www.itcjournal.org\/?dt_portfolio=breakthrough-foreword\" class=\"layzr-bg\" title=\"amazing\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"preload-me jgrid-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20286%20442&#39;%2F%3E\" data-src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/amazing-286x442.jpg\" data-srcset=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/amazing-286x442.jpg 286w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/amazing.jpg 323w\" loading=\"eager\" style=\"--ratio: 286 \/ 442\" sizes=\"(max-width: 286px) 100vw, 286px\" alt=\"\" width=\"286\" height=\"442\"  \/><\/a>\t\t<figcaption class=\"rollover-content\">\n\t\t<div class=\"links-container\"><a href=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/amazing.jpg\" class=\"project-zoom dt-pswp-item dt-single-pswp-popup\" title=\"amazing\" data-dt-img-description=\"\" data-large_image_width=\"323\" data-large_image_height=\"500\" aria-label=\"Portfolio zoom icon\">Zoom<\/a><\/div>\t\t\t\t<div class=\"rollover-content-container\">\n\t\t\t<h3 class=\"entry-title\"><a href=\"http:\/\/www.itcjournal.org\/?dt_portfolio=breakthrough-foreword\" title=\"Breakthrough: (Foreword)\" rel=\"bookmark\">Breakthrough: (Foreword)<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n<\/div>\n<div class=\"wf-cell\" data-post-id=\"6423\" data-date=\"2022-09-07T16:34:55+00:00\" data-name=\"Anomalous electronic voices\">\n<article class=\"post post-6423 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-books dt_portfolio_category-165 text-centered\">\n\n\t<figure class=\"rollover-project rollover-active\">\n\t<a href=\"http:\/\/www.itcjournal.org\/?dt_portfolio=anomalous-electronic-voices\" class=\"layzr-bg\" title=\"NeuroQuantology\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"preload-me jgrid-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20403%20367&#39;%2F%3E\" data-src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/01\/NeuroQuantology.jpg\" data-srcset=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/01\/NeuroQuantology.jpg 403w\" loading=\"eager\" style=\"--ratio: 403 \/ 367\" sizes=\"(max-width: 403px) 100vw, 403px\" alt=\"\" width=\"403\" height=\"367\"  \/><\/a>\t\t<figcaption class=\"rollover-content\">\n\t\t<div class=\"links-container\"><a href=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/01\/NeuroQuantology.jpg\" class=\"project-zoom dt-pswp-item dt-single-pswp-popup\" title=\"NeuroQuantology\" data-dt-img-description=\"\" data-large_image_width=\"403\" data-large_image_height=\"367\" aria-label=\"Portfolio zoom icon\">Zoom<\/a><\/div>\t\t\t\t<div class=\"rollover-content-container\">\n\t\t\t<h3 class=\"entry-title\"><a href=\"http:\/\/www.itcjournal.org\/?dt_portfolio=anomalous-electronic-voices\" title=\"Anomalous electronic voices\" rel=\"bookmark\">Anomalous electronic voices<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n<\/div>\n<div class=\"wf-cell\" data-post-id=\"6412\" data-date=\"2022-09-07T16:02:47+00:00\" data-name=\"Glimpses of Another World\">\n<article class=\"post post-6412 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-books dt_portfolio_category-165 text-centered\">\n\n\t<figure class=\"rollover-project rollover-active\">\n\t<a href=\"http:\/\/www.itcjournal.org\/?dt_portfolio=glimpses-of-another-world\" class=\"layzr-bg\" title=\"Glipses\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"preload-me jgrid-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20286%20442&#39;%2F%3E\" data-src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/Glipses-286x442.jpg\" data-srcset=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/Glipses-286x442.jpg 286w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/Glipses-572x884.jpg 572w\" loading=\"eager\" style=\"--ratio: 286 \/ 442\" sizes=\"(max-width: 286px) 100vw, 286px\" alt=\"\" width=\"286\" height=\"442\"  \/><\/a>\t\t<figcaption class=\"rollover-content\">\n\t\t<div class=\"links-container\"><a href=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/Glipses.jpg\" class=\"project-zoom dt-pswp-item dt-single-pswp-popup\" title=\"Glipses\" data-dt-img-description=\"\" data-large_image_width=\"880\" data-large_image_height=\"1360\" aria-label=\"Portfolio zoom icon\">Zoom<\/a><\/div>\t\t\t\t<div class=\"rollover-content-container\">\n\t\t\t<h3 class=\"entry-title\"><a href=\"http:\/\/www.itcjournal.org\/?dt_portfolio=glimpses-of-another-world\" title=\"Glimpses of Another World\" rel=\"bookmark\">Glimpses of Another World<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n<\/div>\n<div class=\"wf-cell\" data-post-id=\"6351\" data-date=\"2022-09-06T14:50:34+00:00\" data-name=\"Electronic Contact with the Dead: What do the Voices Tell Us?\">\n<article class=\"post post-6351 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-books dt_portfolio_category-165 text-centered\">\n\n\t<figure class=\"rollover-project rollover-active\">\n\t<a href=\"http:\/\/www.itcjournal.org\/?dt_portfolio=electronic-contact-with-the-dead-what-do-the-voices-tell-us\" class=\"layzr-bg\" title=\"contact-with-dead\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"preload-me jgrid-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20295%20442&#39;%2F%3E\" data-src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/contact-with-dead-295x442.jpg\" data-srcset=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/contact-with-dead-295x442.jpg 295w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/contact-with-dead-590x884.jpg 590w\" loading=\"eager\" style=\"--ratio: 295 \/ 442\" sizes=\"(max-width: 295px) 100vw, 295px\" alt=\"\" width=\"295\" height=\"442\"  \/><\/a>\t\t<figcaption class=\"rollover-content\">\n\t\t<div class=\"links-container\"><a href=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/contact-with-dead.jpg\" class=\"project-zoom dt-pswp-item dt-single-pswp-popup\" title=\"contact-with-dead\" data-dt-img-description=\"\" data-large_image_width=\"907\" data-large_image_height=\"1360\" aria-label=\"Portfolio zoom icon\">Zoom<\/a><\/div>\t\t\t\t<div class=\"rollover-content-container\">\n\t\t\t<h3 class=\"entry-title\"><a href=\"http:\/\/www.itcjournal.org\/?dt_portfolio=electronic-contact-with-the-dead-what-do-the-voices-tell-us\" title=\"Electronic Contact with the Dead: What do the Voices Tell Us?\" rel=\"bookmark\">Electronic Contact with the Dead: What do the Voices Tell Us?<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n<\/div>\n<div class=\"wf-cell\" data-post-id=\"6337\" data-date=\"2022-09-05T22:54:29+00:00\" data-name=\"Electronic Voices: Contact with Another Dimension?\">\n<article class=\"post post-6337 dt_portfolio type-dt_portfolio status-publish has-post-thumbnail hentry dt_portfolio_category-books dt_portfolio_category-165 text-centered\">\n\n\t<figure class=\"rollover-project rollover-active\">\n\t<a href=\"http:\/\/www.itcjournal.org\/?dt_portfolio=electronic-voices-contact-with-another-dimension\" class=\"layzr-bg\" title=\"contact-with-another-dimension\"  aria-label=\"Post image\"><img decoding=\"async\" class=\"preload-me jgrid-lazy-load aspect\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D&#39;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#39;%20viewBox%3D&#39;0%200%20270%20442&#39;%2F%3E\" data-src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/contact-with-another-dimension-270x442.jpg\" data-srcset=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/contact-with-another-dimension-270x442.jpg 270w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/contact-with-another-dimension.jpg 305w\" loading=\"eager\" style=\"--ratio: 270 \/ 442\" sizes=\"(max-width: 270px) 100vw, 270px\" alt=\"\" width=\"270\" height=\"442\"  \/><\/a>\t\t<figcaption class=\"rollover-content\">\n\t\t<div class=\"links-container\"><a href=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2021\/12\/contact-with-another-dimension.jpg\" class=\"project-zoom dt-pswp-item dt-single-pswp-popup\" title=\"contact-with-another-dimension\" data-dt-img-description=\"\" data-large_image_width=\"305\" data-large_image_height=\"500\" aria-label=\"Portfolio zoom icon\">Zoom<\/a><\/div>\t\t\t\t<div class=\"rollover-content-container\">\n\t\t\t<h3 class=\"entry-title\"><a href=\"http:\/\/www.itcjournal.org\/?dt_portfolio=electronic-voices-contact-with-another-dimension\" title=\"Electronic Voices: Contact with Another Dimension?\" rel=\"bookmark\">Electronic Voices: Contact with Another Dimension?<\/a><\/h3>\t\t<\/div>\n\t\t\t\t\t<\/figcaption>\n\t<\/figure>\n<\/article>\n\n<\/div><\/div><\/div>[\/vc_column][vc_column][\/vc_column][\/vc_row][vc_row equal_height=&#8221;yes&#8221; el_class=&#8221;center-todo&#8221;][vc_column css=&#8221;.vc_custom_1740402091441{border-left-width: px !important;padding-left: px !important;background-image: url(http:\/\/www.itcjournal.org\/wp-content\/uploads\/2013\/03\/team-bg1.jpg?id=3564) !important;background-position: center !important;background-repeat: no-repeat !important;background-size: cover !important;border-radius: 4px !important;}&#8221; el_class=&#8221;center-todo&#8221;][vc_column_text css=&#8221;&#8221;]\n<p style=\"text-align: center;\"><div class=\"rt-container-fluid tlp-portfolio tlp-portfolio-container\" id=\"tlp-portfolio-container-6358\" data-layout=\"layout1\"><div class=\"rt-row layout1 \" data-title='Loading ...'>\r\n<div class=\"tlp-col-md-2 tlp-col-sm-12 tlp-col-xs-12 tlp-single-item tlp-grid-item tlp-equal-height\">\r\n\t<div class=\"tlp-portfolio-item\">\r\n\t\t\t\t\t\t\t\t\t<div class=\"tlp-portfolio-thum tlp-item\">\r\n\t\t\t<img decoding=\"async\" width=\"180\" height=\"180\" src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2013\/03\/anabela-1.jpg\" class=\"img-responsive\" alt=\"\" \/>\r\n\t\t\t<div class=\"tlp-overlay\">\r\n\t\t\t\t<p class=\"link-icon\">\r\n\t\t\t\t\t<a class=\"tlp-zoom\" href=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2013\/03\/anabela-1.jpg\" aria-label=\"Anabela Cardoso\"><i class=\"demo-icon icon-zoom-in\"><\/i><\/a>\r\n\t\t\t\t\t<a href=\"http:\/\/www.itcjournal.org\/?portfolio=anabela-cardoso\" aria-label=\"Anabela Cardoso\"><i class=\"demo-icon icon-link-ext\"><\/i><\/a>\r\n\t\t\t\t<\/p>\r\n\t\t\t<\/div>\r\n\t\t<\/div><div class=\"tlp-content\">\r\n                        <div class=\"tlp-content-holder\">\r\n                            <h3><a href=\"http:\/\/www.itcjournal.org\/?portfolio=anabela-cardoso\" aria-label=\"Anabela Cardoso\">Anabela Cardoso<\/a><\/h3>\r\n                            <div class=\"extra-features\"> <div class=\"tlp-portfolio-sd\">Dr Anabela Cardoso Licentiate in Germanic Philology, Faculty of Letters, Lisbon University<\/div> <\/div>\r\n                        <\/div>\r\n                    <\/div>\t<\/div>\r\n<\/div>\r\n\r\n\r\n<div class=\"tlp-col-md-2 tlp-col-sm-12 tlp-col-xs-12 tlp-single-item tlp-grid-item tlp-equal-height\">\r\n\t<div class=\"tlp-portfolio-item\">\r\n\t\t\t\t\t\t\t\t\t<div class=\"tlp-portfolio-thum tlp-item\">\r\n\t\t\t<img decoding=\"async\" width=\"180\" height=\"180\" src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2016\/09\/edgar-muller-1.jpg\" class=\"img-responsive\" alt=\"\" \/>\r\n\t\t\t<div class=\"tlp-overlay\">\r\n\t\t\t\t<p class=\"link-icon\">\r\n\t\t\t\t\t<a class=\"tlp-zoom\" href=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2016\/09\/edgar-muller-1.jpg\" aria-label=\"Edgar M\u00fcller\"><i class=\"demo-icon icon-zoom-in\"><\/i><\/a>\r\n\t\t\t\t\t<a href=\"http:\/\/www.itcjournal.org\/?portfolio=edgar-muller\" aria-label=\"Edgar M\u00fcller\"><i class=\"demo-icon icon-link-ext\"><\/i><\/a>\r\n\t\t\t\t<\/p>\r\n\t\t\t<\/div>\r\n\t\t<\/div><div class=\"tlp-content\">\r\n                        <div class=\"tlp-content-holder\">\r\n                            <h3><a href=\"http:\/\/www.itcjournal.org\/?portfolio=edgar-muller\" aria-label=\"Edgar M\u00fcller\">Edgar M\u00fcller<\/a><\/h3>\r\n                            <div class=\"extra-features\"> <div class=\"tlp-portfolio-sd\">Born in Budapest, Hungary, Edgar moved to Sweden, Stockholm 1957 where he lives with his wife...<\/div> <\/div>\r\n                        <\/div>\r\n                    <\/div>\t<\/div>\r\n<\/div>\r\n\r\n\r\n<div class=\"tlp-col-md-2 tlp-col-sm-12 tlp-col-xs-12 tlp-single-item tlp-grid-item tlp-equal-height\">\r\n\t<div class=\"tlp-portfolio-item\">\r\n\t\t\t\t\t\t\t\t\t<div class=\"tlp-portfolio-thum tlp-item\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"180\" src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2016\/09\/uwe-hartmann.jpg\" class=\"img-responsive\" alt=\"\" \/>\r\n\t\t\t<div class=\"tlp-overlay\">\r\n\t\t\t\t<p class=\"link-icon\">\r\n\t\t\t\t\t<a class=\"tlp-zoom\" href=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2016\/09\/uwe-hartmann.jpg\" aria-label=\"Uwe Hartmann\"><i class=\"demo-icon icon-zoom-in\"><\/i><\/a>\r\n\t\t\t\t\t<a href=\"http:\/\/www.itcjournal.org\/?portfolio=6384\" aria-label=\"Uwe Hartmann\"><i class=\"demo-icon icon-link-ext\"><\/i><\/a>\r\n\t\t\t\t<\/p>\r\n\t\t\t<\/div>\r\n\t\t<\/div><div class=\"tlp-content\">\r\n                        <div class=\"tlp-content-holder\">\r\n                            <h3><a href=\"http:\/\/www.itcjournal.org\/?portfolio=6384\" aria-label=\"Uwe Hartmann\">Uwe Hartmann<\/a><\/h3>\r\n                            <div class=\"extra-features\"> <div class=\"tlp-portfolio-sd\">Uwe Hartmann studied physics at the University of Rostock in Germany. He works in the field...<\/div> <\/div>\r\n                        <\/div>\r\n                    <\/div>\t<\/div>\r\n<\/div>\r\n\r\n\r\n<div class=\"tlp-col-md-2 tlp-col-sm-12 tlp-col-xs-12 tlp-single-item tlp-grid-item tlp-equal-height\">\r\n\t<div class=\"tlp-portfolio-item\">\r\n\t\t\t\t\t\t\t\t\t<div class=\"tlp-portfolio-thum tlp-item\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/ann-250.jpg\" class=\"img-responsive\" alt=\"\" \/>\r\n\t\t\t<div class=\"tlp-overlay\">\r\n\t\t\t\t<p class=\"link-icon\">\r\n\t\t\t\t\t<a class=\"tlp-zoom\" href=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/ann-250.jpg\" aria-label=\"Ann Harrison\"><i class=\"demo-icon icon-zoom-in\"><\/i><\/a>\r\n\t\t\t\t\t<a href=\"http:\/\/www.itcjournal.org\/?portfolio=ann-harrison\" aria-label=\"Ann Harrison\"><i class=\"demo-icon icon-link-ext\"><\/i><\/a>\r\n\t\t\t\t<\/p>\r\n\t\t\t<\/div>\r\n\t\t<\/div><div class=\"tlp-content\">\r\n                        <div class=\"tlp-content-holder\">\r\n                            <h3><a href=\"http:\/\/www.itcjournal.org\/?portfolio=ann-harrison\" aria-label=\"Ann Harrison\">Ann Harrison<\/a><\/h3>\r\n                            <div class=\"extra-features\"> <div class=\"tlp-portfolio-sd\">Originally trained in Pharmacy before taking a degree in Education at the University of Wales.<\/div> <\/div>\r\n                        <\/div>\r\n                    <\/div>\t<\/div>\r\n<\/div>\r\n\r\n\r\n<div class=\"tlp-col-md-2 tlp-col-sm-12 tlp-col-xs-12 tlp-single-item tlp-grid-item tlp-equal-height\">\r\n\t<div class=\"tlp-portfolio-item\">\r\n\t\t\t\t\t\t\t\t\t<div class=\"tlp-portfolio-thum tlp-item\">\r\n\t\t\t<img loading=\"lazy\" decoding=\"async\" width=\"180\" height=\"180\" src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2016\/09\/carlos.jpg\" class=\"img-responsive\" alt=\"\" \/>\r\n\t\t\t<div class=\"tlp-overlay\">\r\n\t\t\t\t<p class=\"link-icon\">\r\n\t\t\t\t\t<a class=\"tlp-zoom\" href=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2016\/09\/carlos.jpg\" aria-label=\"Carlos Fern\u00e1ndez\"><i class=\"demo-icon icon-zoom-in\"><\/i><\/a>\r\n\t\t\t\t\t<a href=\"http:\/\/www.itcjournal.org\/?portfolio=carlos-fernandez\" aria-label=\"Carlos Fern\u00e1ndez\"><i class=\"demo-icon icon-link-ext\"><\/i><\/a>\r\n\t\t\t\t<\/p>\r\n\t\t\t<\/div>\r\n\t\t<\/div><div class=\"tlp-content\">\r\n                        <div class=\"tlp-content-holder\">\r\n                            <h3><a href=\"http:\/\/www.itcjournal.org\/?portfolio=carlos-fernandez\" aria-label=\"Carlos Fern\u00e1ndez\">Carlos Fern\u00e1ndez<\/a><\/h3>\r\n                            <div class=\"extra-features\"> <div class=\"tlp-portfolio-sd\">Was born in Buenos Aires in 1965 and studied Electronics in the National Technological...<\/div> <\/div>\r\n                        <\/div>\r\n                    <\/div>\t<\/div>\r\n<\/div>\r\n\r\n<\/div><\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_separator][vc_column_text]\n<h2 style=\"text-align: center;\">RECENT PRODUCTS<\/h2>\n<p style=\"text-align: center;\"><div class=\"woocommerce columns-4 \"><div class=\"wf-container dt-products  woo-hover products loading-effect-fade-in description-on-hover cart-btn-on-img wc-img-hover hide-description wc-grid\" data-padding=\"0px\" data-cur-page=\"1\" data-desktop-columns-num=\"3\" data-v-tablet-columns-num=\"2\" data-h-tablet-columns-num=\"3\" data-phone-columns-num=\"1\">\n\n<article class=\"post visible description-off product type-product post-5355 status-publish first instock product_cat-voices has-post-thumbnail downloadable shipping-taxable purchasable product-type-simple\">\n\n\t<figure class=\"woocom-project\">\n\t<div class=\"woo-buttons-on-img\">\n\n\t\t<a href=\"http:\/\/www.itcjournal.org\/?product=electronic-voices-cd-in-mp3-format\" class=\"alignnone layzr-bg\"><img loading=\"lazy\" decoding=\"async\" width=\"280\" height=\"280\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D&#039;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#039; viewBox%3D&#039;0 0 280 280&#039;%2F%3E\" class=\"attachment-woocommerce_thumbnail size-woocommerce_thumbnail lazy-load preload-me\" alt=\"&quot;ELECTRONIC VOICES&quot; CD in MP3 format\" data-src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/05\/CD-MP3-1-280x280.jpg\" data-srcset=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/05\/CD-MP3-1-280x280.jpg 280w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/05\/CD-MP3-1-200x200.jpg 200w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/05\/CD-MP3-1-150x150.jpg 150w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/05\/CD-MP3-1-180x180.jpg 180w\" \/><\/a><div class=\"tinv-wraper woocommerce tinv-wishlist tinvwl-shortcode-add-to-cart tinvwl-loop-button-wrapper tinvwl-the_content\"\r\n\t data-tinvwl_product_id=\"5355\">\r\n\t<div class=\"tinv-wishlist-clear\"><\/div><a role=\"button\" tabindex=\"0\" name=\"add-to-wishlist\" aria-label=\"Add to Wishlist\" class=\"tinvwl_add_to_wishlist_button tinvwl-icon-heart  tinvwl-position-after tinvwl-loop\" data-tinv-wl-list=\"[]\" data-tinv-wl-product=\"5355\" data-tinv-wl-productvariation=\"0\" data-tinv-wl-productvariations=\"[]\" data-tinv-wl-producttype=\"simple\" data-tinv-wl-action=\"add\"><span class=\"tinvwl_add_to_wishlist-text\">Add to Wishlist<\/span><\/a><div class=\"tinv-wishlist-clear\"><\/div>\t\t<div\r\n\t\tclass=\"tinvwl-tooltip\">Add to Wishlist<\/div>\r\n<\/div>\r\n\n\t<\/div>\n\t<figcaption class=\"woocom-list-content\">\n\n\t\t<div class=\"tinv-wraper woocommerce tinv-wishlist tinvwl-after-add-to-cart tinvwl-loop-button-wrapper tinvwl-woocommerce_after_shop_loop_item\"\r\n\t data-tinvwl_product_id=\"5355\">\r\n\t<div class=\"tinv-wishlist-clear\"><\/div><a role=\"button\" tabindex=\"0\" name=\"add-to-wishlist\" aria-label=\"Add to Wishlist\" class=\"tinvwl_add_to_wishlist_button tinvwl-icon-heart  tinvwl-position-after tinvwl-loop\" data-tinv-wl-list=\"[]\" data-tinv-wl-product=\"5355\" data-tinv-wl-productvariation=\"0\" data-tinv-wl-productvariations=\"[]\" data-tinv-wl-producttype=\"simple\" data-tinv-wl-action=\"add\"><span class=\"tinvwl_add_to_wishlist-text\">Add to Wishlist<\/span><\/a><div class=\"tinv-wishlist-clear\"><\/div>\t\t<div\r\n\t\tclass=\"tinvwl-tooltip\">Add to Wishlist<\/div>\r\n<\/div>\r\n\n\t<\/figcaption>\n<\/figure>\n\n<\/article>\n\n\n\n<article class=\"post visible description-off product type-product post-5489 status-publish instock product_cat-journal has-post-thumbnail shipping-taxable purchasable product-type-variable\">\n\n\t<figure class=\"woocom-project\">\n\t<div class=\"woo-buttons-on-img\">\n\n\t\t<a href=\"http:\/\/www.itcjournal.org\/?product=journal-no54-55-dec2017\" class=\"alignnone layzr-bg\"><img loading=\"lazy\" decoding=\"async\" width=\"280\" height=\"280\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D&#039;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#039; viewBox%3D&#039;0 0 280 280&#039;%2F%3E\" class=\"attachment-woocommerce_thumbnail size-woocommerce_thumbnail lazy-load preload-me\" alt=\"Journal n\u00ba54-55 Dec\/2017\" data-src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/11\/54-280x280.jpg\" data-srcset=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/11\/54-280x280.jpg 280w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/11\/54-200x200.jpg 200w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/11\/54-150x150.jpg 150w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/11\/54-180x180.jpg 180w\" \/><\/a><div class=\"tinv-wraper woocommerce tinv-wishlist tinvwl-shortcode-add-to-cart tinvwl-loop-button-wrapper tinvwl-the_content\"\r\n\t data-tinvwl_product_id=\"5489\">\r\n\t<div class=\"tinv-wishlist-clear\"><\/div><a role=\"button\" tabindex=\"0\" name=\"add-to-wishlist\" aria-label=\"Add to Wishlist\" class=\"tinvwl_add_to_wishlist_button tinvwl-icon-heart  tinvwl-position-after tinvwl-loop\" data-tinv-wl-list=\"[]\" data-tinv-wl-product=\"5489\" data-tinv-wl-productvariation=\"0\" data-tinv-wl-productvariations=\"[5490,5492,5491,0]\" data-tinv-wl-producttype=\"variable\" data-tinv-wl-action=\"add\"><span class=\"tinvwl_add_to_wishlist-text\">Add to Wishlist<\/span><\/a><div class=\"tinv-wishlist-clear\"><\/div>\t\t<div\r\n\t\tclass=\"tinvwl-tooltip\">Add to Wishlist<\/div>\r\n<\/div>\r\n\n\t<\/div>\n\t<figcaption class=\"woocom-list-content\">\n\n\t\t<div class=\"tinv-wraper woocommerce tinv-wishlist tinvwl-after-add-to-cart tinvwl-loop-button-wrapper tinvwl-woocommerce_after_shop_loop_item\"\r\n\t data-tinvwl_product_id=\"5489\">\r\n\t<div class=\"tinv-wishlist-clear\"><\/div><a role=\"button\" tabindex=\"0\" name=\"add-to-wishlist\" aria-label=\"Add to Wishlist\" class=\"tinvwl_add_to_wishlist_button tinvwl-icon-heart  tinvwl-position-after tinvwl-loop\" data-tinv-wl-list=\"[]\" data-tinv-wl-product=\"5489\" data-tinv-wl-productvariation=\"0\" data-tinv-wl-productvariations=\"[5490,5492,5491,0]\" data-tinv-wl-producttype=\"variable\" data-tinv-wl-action=\"add\"><span class=\"tinvwl_add_to_wishlist-text\">Add to Wishlist<\/span><\/a><div class=\"tinv-wishlist-clear\"><\/div>\t\t<div\r\n\t\tclass=\"tinvwl-tooltip\">Add to Wishlist<\/div>\r\n<\/div>\r\n\n\t<\/figcaption>\n<\/figure>\n\n<\/article>\n\n\n\n<article class=\"post visible description-off product type-product post-5300 status-publish instock product_cat-journal has-post-thumbnail shipping-taxable purchasable product-type-variable\">\n\n\t<figure class=\"woocom-project\">\n\t<div class=\"woo-buttons-on-img\">\n\n\t\t<a href=\"http:\/\/www.itcjournal.org\/?product=journal-no53-dec2016\" class=\"alignnone layzr-bg\"><img loading=\"lazy\" decoding=\"async\" width=\"280\" height=\"280\" src=\"data:image\/svg+xml;charset=utf-8,%3Csvg xmlns%3D&#039;http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg&#039; viewBox%3D&#039;0 0 280 280&#039;%2F%3E\" class=\"attachment-woocommerce_thumbnail size-woocommerce_thumbnail lazy-load preload-me\" alt=\"Journal n\u00ba53-Dec\/2016\" data-src=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/01\/53-280x280.jpg\" data-srcset=\"http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/01\/53-280x280.jpg 280w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/01\/53-200x200.jpg 200w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/01\/53-150x150.jpg 150w, http:\/\/www.itcjournal.org\/wp-content\/uploads\/2017\/01\/53-180x180.jpg 180w\" \/><\/a><div class=\"tinv-wraper woocommerce tinv-wishlist tinvwl-shortcode-add-to-cart tinvwl-loop-button-wrapper tinvwl-the_content\"\r\n\t data-tinvwl_product_id=\"5300\">\r\n\t<div class=\"tinv-wishlist-clear\"><\/div><a role=\"button\" tabindex=\"0\" name=\"add-to-wishlist\" aria-label=\"Add to Wishlist\" class=\"tinvwl_add_to_wishlist_button tinvwl-icon-heart  tinvwl-position-after tinvwl-loop\" data-tinv-wl-list=\"[]\" data-tinv-wl-product=\"5300\" data-tinv-wl-productvariation=\"0\" data-tinv-wl-productvariations=\"[5302,5304,5303,0]\" data-tinv-wl-producttype=\"variable\" data-tinv-wl-action=\"add\"><span class=\"tinvwl_add_to_wishlist-text\">Add to Wishlist<\/span><\/a><div class=\"tinv-wishlist-clear\"><\/div>\t\t<div\r\n\t\tclass=\"tinvwl-tooltip\">Add to Wishlist<\/div>\r\n<\/div>\r\n\n\t<\/div>\n\t<figcaption class=\"woocom-list-content\">\n\n\t\t<div class=\"tinv-wraper woocommerce tinv-wishlist tinvwl-after-add-to-cart tinvwl-loop-button-wrapper tinvwl-woocommerce_after_shop_loop_item\"\r\n\t data-tinvwl_product_id=\"5300\">\r\n\t<div class=\"tinv-wishlist-clear\"><\/div><a role=\"button\" tabindex=\"0\" name=\"add-to-wishlist\" aria-label=\"Add to Wishlist\" class=\"tinvwl_add_to_wishlist_button tinvwl-icon-heart  tinvwl-position-after tinvwl-loop\" data-tinv-wl-list=\"[]\" data-tinv-wl-product=\"5300\" data-tinv-wl-productvariation=\"0\" data-tinv-wl-productvariations=\"[5302,5304,5303,0]\" data-tinv-wl-producttype=\"variable\" data-tinv-wl-action=\"add\"><span class=\"tinvwl_add_to_wishlist-text\">Add to Wishlist<\/span><\/a><div class=\"tinv-wishlist-clear\"><\/div>\t\t<div\r\n\t\tclass=\"tinvwl-tooltip\">Add to Wishlist<\/div>\r\n<\/div>\r\n\n\t<\/figcaption>\n<\/figure>\n\n<\/article>\n\n<\/div><\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text css=&#8221;&#8221;]<div class=\"automatic-youtube-gallery ayg\">\n        <ayg-theme-classic id=\"ayg-402c45a4aefe98ae7114da49c5129052\" class=\"ayg-theme ayg-theme-classic\" data-params=\"{&quot;uid&quot;:&quot;402c45a4aefe98ae7114da49c5129052&quot;,&quot;loop&quot;:0,&quot;autoadvance&quot;:0,&quot;player_title&quot;:1,&quot;player_description&quot;:1}\">\n        <div class=\"ayg-player\">\n            <div class=\"ayg-player-container\" style=\"max-width: 100%;\">\n                <ayg-player src=\"https:\/\/www.youtube.com\/embed\/GZUMg4Ol-DI?enablejsapi=1&#038;playsinline=1&#038;rel=0&#038;modestbranding=1&#038;iv_load_policy=3\" ratio=\"56.25\" title=\"CONVERSACIONES DE FRIEDEL CON LOS MUERTOS - Libro en castellano sobre J\u00dcRGENSON\" poster=\"https:\/\/i.ytimg.com\/vi\/GZUMg4Ol-DI\/mqdefault.jpg\"><\/ayg-player>           \n            <\/div>\n            <div class=\"ayg-player-caption\">\n                    \n                    <h2 class=\"ayg-player-title\">CONVERSACIONES DE FRIEDEL CON LOS MUERTOS - Libro en castellano sobre J\u00dcRGENSON<\/h2>  \n                                  \n                    <ayg-description class=\"ayg-player-description\"><span class=\"ayg-player-description-less\">Anabela Cardoso habla en este v\u00eddeo de la edici\u00f3n en castellano del libro que acaba de publicar Cydonia (www.edicionescydonia.com).<br \/>\n<br \/>\n\u00abConversaciones de Friedel con los muertos\u00bb es la historia del pintor y <span class=\"ayg-player-description-dots\">...<\/span><\/span><span class=\"ayg-player-description-more\">cantante de \u00f3pera sueco Friedrich J\u00fcrgenson, pionero en el descubrimiento del fen\u00f3meno de las voces psicof\u00f3nicas, en las que personas fallecidas parecen ser capaces de entrar en contacto con el mundo f\u00edsico utilizando dispositivos como grabadoras, radios, ordenadores y televisores.<br \/>\nNacido en la Odessa prerrevolucionaria en 1903, Friedel, como se le conoc\u00eda cari\u00f1osamente, fue testigo de la violencia y de los cad\u00e1veres apilados en las calles cuando tan solo contaba con unos pocos a\u00f1os de edad. Quiz\u00e1 fue una preparaci\u00f3n para el d\u00eda de 1959 en el que escuch\u00f3 la voz de su madre en la grabadora que utilizaba para registrar el canto de los p\u00e1jaros en el bosque. Era algo inusual, porque el equipo y la cinta eran nuevos, mientras que ella hab\u00eda fallecido cinco a\u00f1os antes.<br \/>\nEl renombrado parapsic\u00f3logo alem\u00e1n Hans Bender, tras investigar las voces de J\u00fcrgenson, concluy\u00f3 que no pod\u00edan explicarse por medios normales y que \u00abprobablemente eran paranormales\u00bb.<br \/>\nFriedel se convirti\u00f3 en invitado habitual del Vaticano y dirigi\u00f3 excavaciones en Pompeya. Pint\u00f3 retratos de dos papas, P\u00edo XII y Pablo VI, que a\u00fan est\u00e1n expuestos en las dependencias pontificias. Posteriormente, Pablo VI afirm\u00f3 que las voces no eran de origen terrenal (ni demon\u00edaco), sino que efectivamente eran voces de los muertos.<br \/>\n<br \/>\nLos autores<br \/>\nAnders Leopold fue un periodista sueco premiado internacionalmente y uno de los amigos m\u00e1s cercanos de Friedrich J\u00fcrgenson. Sigui\u00f3 su trabajo desde que se conocieron hasta la muerte de Friedel en 1987.<br \/>\n<br \/>\nAnabela Cardoso, Diplom\u00e1tica portuguesa y reconocida operadora de TCI, con resultados notables en las Voces Directas de Radio y EVP, eligi\u00f3 a Friedrich J\u00fcrgenson como su maestro y gu\u00eda desde el primer momento de su experimentaci\u00f3n. Public\u00f3 el informe \u00abA Two-Year Investigation of the Allegedly Anomalous Electronic Voices or EVP\u00bb en \u00abNeuroQuantology\u00bb, primera publicaci\u00f3n sobre TCI reconocida por una revista cient\u00edfica desde los trabajos de Hans Bender con las voces de J\u00fcrgenson.<br \/>\nHa publicado varios libros, cientos de art\u00edculos e impartido conferencias en las m\u00e1s importantes instituciones parapsicol\u00f3gicas del mundo.<br \/>\nAnders Leopold la invit\u00f3 a trabajar en la biograf\u00eda sobre Friedel que ahora se publica en espa\u00f1ol.<\/span><a href=\"#\" class=\"ayg-player-description-toggle-btn\">Show More<\/a><\/ayg-description>\n                            <\/div>\n        <\/div>\n        <div class=\"ayg-videos ayg-gallery ayg-row\">\n                            <div class=\"ayg-video ayg-video-GZUMg4Ol-DI ayg-col ayg-col-3 ayg-col-xs-2 ayg-active\">\n                    <div class=\"ayg-thumbnail\" data-id=\"GZUMg4Ol-DI\" data-title=\"CONVERSACIONES DE FRIEDEL CON LOS MUERTOS - Libro en castellano sobre J\u00dcRGENSON\" data-url=\"\">\n    <div class=\"ayg-thumbnail-media\" style=\"--ayg-image-ratio: 16 \/ 9\">\n        <img loading=\"lazy\" src=\"https:\/\/i.ytimg.com\/vi\/GZUMg4Ol-DI\/mqdefault.jpg\" class=\"ayg-thumbnail-image\" width=\"320\" height=\"180\" alt=\"CONVERSACIONES DE FRIEDEL CON LOS MUERTOS - Libro en castellano sobre J\u00dcRGENSON\" decoding=\"async\"\/><div class=\"ayg-thumbnail-now-playing\" style=\"display: none;\">Now Playing<\/div><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"white\" width=\"40\" height=\"40\" viewBox=\"0 0 24 24\" class=\"ayg-icon ayg-thumbnail-icon-play\" title=\"Play\" aria-label=\"Play\"><path fill-rule=\"evenodd\" d=\"M2.25 12c0-5.385 4.365-9.75 9.75-9.75s9.75 4.365 9.75 9.75-4.365 9.75-9.75 9.75S2.25 17.385 2.25 12Zm14.024-.983a1.125 1.125 0 0 1 0 1.966l-5.603 3.113A1.125 1.125 0 0 1 9 15.113V8.887c0-.857.921-1.4 1.671-.983l5.603 3.113Z\" clip-rule=\"evenodd\" \/><\/svg>        \n    <\/div>\n    <div class=\"ayg-thumbnail-caption\">\n         \n            <div class=\"ayg-thumbnail-title\">CONVERSACIONES DE FRIEDEL CON LOS MUERTOS - Libro en castellano sobre J\u00dcRGENSON<\/div>\n         \n                    <div class=\"ayg-thumbnail-excerpt\">Anabela Cardoso habla en este v\u00eddeo de la edici\u00f3n en castellano del ...<\/div>\n                  \n            <div class=\"ayg-thumbnail-description\" style=\"display: none;\"><span class=\"ayg-player-description-less\">Anabela Cardoso habla en este v\u00eddeo de la edici\u00f3n en castellano del libro que acaba de publicar Cydonia (www.edicionescydonia.com).<br \/>\n<br \/>\n\u00abConversaciones de Friedel con los muertos\u00bb es la historia del pintor y <span class=\"ayg-player-description-dots\">...<\/span><\/span><span class=\"ayg-player-description-more\">cantante de \u00f3pera sueco Friedrich J\u00fcrgenson, pionero en el descubrimiento del fen\u00f3meno de las voces psicof\u00f3nicas, en las que personas fallecidas parecen ser capaces de entrar en contacto con el mundo f\u00edsico utilizando dispositivos como grabadoras, radios, ordenadores y televisores.<br \/>\nNacido en la Odessa prerrevolucionaria en 1903, Friedel, como se le conoc\u00eda cari\u00f1osamente, fue testigo de la violencia y de los cad\u00e1veres apilados en las calles cuando tan solo contaba con unos pocos a\u00f1os de edad. Quiz\u00e1 fue una preparaci\u00f3n para el d\u00eda de 1959 en el que escuch\u00f3 la voz de su madre en la grabadora que utilizaba para registrar el canto de los p\u00e1jaros en el bosque. Era algo inusual, porque el equipo y la cinta eran nuevos, mientras que ella hab\u00eda fallecido cinco a\u00f1os antes.<br \/>\nEl renombrado parapsic\u00f3logo alem\u00e1n Hans Bender, tras investigar las voces de J\u00fcrgenson, concluy\u00f3 que no pod\u00edan explicarse por medios normales y que \u00abprobablemente eran paranormales\u00bb.<br \/>\nFriedel se convirti\u00f3 en invitado habitual del Vaticano y dirigi\u00f3 excavaciones en Pompeya. Pint\u00f3 retratos de dos papas, P\u00edo XII y Pablo VI, que a\u00fan est\u00e1n expuestos en las dependencias pontificias. Posteriormente, Pablo VI afirm\u00f3 que las voces no eran de origen terrenal (ni demon\u00edaco), sino que efectivamente eran voces de los muertos.<br \/>\n<br \/>\nLos autores<br \/>\nAnders Leopold fue un periodista sueco premiado internacionalmente y uno de los amigos m\u00e1s cercanos de Friedrich J\u00fcrgenson. Sigui\u00f3 su trabajo desde que se conocieron hasta la muerte de Friedel en 1987.<br \/>\n<br \/>\nAnabela Cardoso, Diplom\u00e1tica portuguesa y reconocida operadora de TCI, con resultados notables en las Voces Directas de Radio y EVP, eligi\u00f3 a Friedrich J\u00fcrgenson como su maestro y gu\u00eda desde el primer momento de su experimentaci\u00f3n. Public\u00f3 el informe \u00abA Two-Year Investigation of the Allegedly Anomalous Electronic Voices or EVP\u00bb en \u00abNeuroQuantology\u00bb, primera publicaci\u00f3n sobre TCI reconocida por una revista cient\u00edfica desde los trabajos de Hans Bender con las voces de J\u00fcrgenson.<br \/>\nHa publicado varios libros, cientos de art\u00edculos e impartido conferencias en las m\u00e1s importantes instituciones parapsicol\u00f3gicas del mundo.<br \/>\nAnders Leopold la invit\u00f3 a trabajar en la biograf\u00eda sobre Friedel que ahora se publica en espa\u00f1ol.<\/span><a href=\"#\" class=\"ayg-player-description-toggle-btn\">Show More<\/a><\/div>\n            <\/div>           \n<\/div>                <\/div>\n                            <div class=\"ayg-video ayg-video-rrTYWgcBE8I ayg-col ayg-col-3 ayg-col-xs-2\">\n                    <div class=\"ayg-thumbnail\" data-id=\"rrTYWgcBE8I\" data-title=\"Algunas reflexiones sobre el sufrimiento y &quot;es la Ley del Karma&quot;\" data-url=\"\">\n    <div class=\"ayg-thumbnail-media\" style=\"--ayg-image-ratio: 16 \/ 9\">\n        <img loading=\"lazy\" src=\"https:\/\/i.ytimg.com\/vi\/rrTYWgcBE8I\/maxresdefault.jpg\" class=\"ayg-thumbnail-image\" width=\"1280\" height=\"720\" alt=\"Algunas reflexiones sobre el sufrimiento y &quot;es la Ley del Karma&quot;\" decoding=\"async\"\/><div class=\"ayg-thumbnail-now-playing\" style=\"display: none;\">Now Playing<\/div><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"white\" width=\"40\" height=\"40\" viewBox=\"0 0 24 24\" class=\"ayg-icon ayg-thumbnail-icon-play\" title=\"Play\" aria-label=\"Play\"><path fill-rule=\"evenodd\" d=\"M2.25 12c0-5.385 4.365-9.75 9.75-9.75s9.75 4.365 9.75 9.75-4.365 9.75-9.75 9.75S2.25 17.385 2.25 12Zm14.024-.983a1.125 1.125 0 0 1 0 1.966l-5.603 3.113A1.125 1.125 0 0 1 9 15.113V8.887c0-.857.921-1.4 1.671-.983l5.603 3.113Z\" clip-rule=\"evenodd\" \/><\/svg>        \n    <\/div>\n    <div class=\"ayg-thumbnail-caption\">\n         \n            <div class=\"ayg-thumbnail-title\">Algunas reflexiones sobre el sufrimiento y &quot;es la Ley del Karma&quot;<\/div>\n         \n                    <div class=\"ayg-thumbnail-excerpt\">En este video, Anabela Cardoso comparte con los espectadores ...<\/div>\n                  \n            <div class=\"ayg-thumbnail-description\" style=\"display: none;\"><span class=\"ayg-player-description-less\">En este video, Anabela Cardoso comparte con los espectadores ense\u00f1anzas de maestros espirituales desde principios del siglo XX hasta los m\u00e1s recientes, recibidas mediante la Transcomunicaci\u00f3n Instrumental (TCI), sobre el <span class=\"ayg-player-description-dots\">...<\/span><\/span><span class=\"ayg-player-description-more\">prop\u00f3sito del sufrimiento.<br \/>\nComenzando con el Padre Dr. Fran\u00e7ois Brune, autor de numerosos libros sobre temas espirituales y teol\u00f3gicos, y del famoso \"Los Muertos Nos Hablan\", no traducido al ingl\u00e9s, pero s\u00ed a otros 25 idiomas, cita a las altas entidades que hablaron en Luxemburgo a trav\u00e9s de Maggy y Jules Harsch-Fischbach, Hans-Otto K\u00f6nig, los textos inform\u00e1ticos espont\u00e1neos de Adolf Homes y sus propios comunicadores de la estaci\u00f3n Rio do Tempo. Todos ellos destacan la necesidad existencial del sufrimiento.<br \/>\nEl sufrimiento no es algo horrible y desesperanzado del que debamos escapar, sino algo que llega porque contribuye a nuestra evoluci\u00f3n espiritual. Es una situaci\u00f3n que afecta a todos los seres vivos de este planeta Tierra, al que los maestros espirituales llaman la \"tierra de la expiaci\u00f3n\". <br \/>\nEn el libro de Fran\u00e7ois Brune, \"Les Morts Nous Aiment\", el comunicador de alto nivel de mensajes de escritura autom\u00e1tica afirma: \u00ab\u2026Es necesario que las masas comprendan que el sufrimiento es el elemento indispensable de la vida\u00bb; y que \u00abtodo ser debe sufrir; cuanto m\u00e1s aceptamos nuestro sufrimiento, m\u00e1s nos acercamos a Dios\u00bb (p. 250); \u00abNada es injusto, todo es creado y deseado hacia un objetivo definido de equilibrio armonioso\u00bb (p. 249).<br \/>\nLa \u200b\u200bfamosa alta entidad conocida como el T\u00e9cnico, dijo en Luxemburgo: \u00abNo busques la raz\u00f3n del sufrimiento, la enfermedad o la discapacidad. Todo tiene un significado muy profundo\u00bb (Sch\u00e4fer, p. 163).<br \/>\nRio do Tempo a Anabela: \u00abEl sufrimiento es muy importante para el crecimiento espiritual\u00bb y \u00abLos animales y las plantas se desarrollan espiritualmente a trav\u00e9s de las dificultades de la Ley Natural\u00bb.<br \/>\nY el difunto Dr. Konstantin Raudive le dijo a la Sra. Aline Piget, entre otras cosas, a trav\u00e9s de una conversaci\u00f3n telef\u00f3nica: \u201c\u2026Quisiera que supieras, querida Aline, que el objetivo de una vida terrenal no es solo la bondad. El objetivo es la expansi\u00f3n de la consciencia\u2026\u201d (<a href=\"http:\/\/www.itcjournal.org\/?product=journal-no2-jun2000\">http:\/\/www.itcjournal.org\/?product=journal-no2-jun2000<\/a>)<br \/>\n<br \/>\nNOTA: la voz electr\u00f3nica an\u00f3mala presentada en el video, fue recibida por Anabela durante una de sus sesiones de TCI, cuando la operadora lloraba el sufrimiento de un gatito salvaje que hab\u00eda aparecido por su casa y al que intent\u00f3 tratar durante m\u00e1s de un a\u00f1o, en condiciones extremas, sin \u00e9xito. Como se escucha, la voz contesta claramente a su pregunta \u201c\u00bfPorqu\u00e9?\u201d con, \u201c\u00c9 a lei do Karma\u201d (Es la ley del Karma). <br \/>\nAl original se sigue el mismo audio editado con Noise Reduction. <br \/>\n<br \/>\nReferencias:<br \/>\nBrune, F. Les Morts Nous Aiment, 2009, JMG \u00e9ditions.<br \/>\nCardoso, A. Glimpses of Another World, 2021, White Crow Books.<br \/>\nMancuso, S. y Viola, A. Sensibilidad e inteligencia en el mundo vegetal, 2015, Galaxia Gutenberg. <br \/>\nSch\u00e4fer, H. Th\u00e9orie et pratique de la Transcommunication, 1992, Robert Laffont.<\/span><a href=\"#\" class=\"ayg-player-description-toggle-btn\">Show More<\/a><\/div>\n            <\/div>           \n<\/div>                <\/div>\n                            <div class=\"ayg-video ayg-video-zDAGVYnGEy8 ayg-col ayg-col-3 ayg-col-xs-2\">\n                    <div class=\"ayg-thumbnail\" data-id=\"zDAGVYnGEy8\" data-title=\"Some reflections on the subject of suffering\" data-url=\"\">\n    <div class=\"ayg-thumbnail-media\" style=\"--ayg-image-ratio: 16 \/ 9\">\n        <img loading=\"lazy\" src=\"https:\/\/i.ytimg.com\/vi\/zDAGVYnGEy8\/maxresdefault.jpg\" class=\"ayg-thumbnail-image\" width=\"1280\" height=\"720\" alt=\"Some reflections on the subject of suffering\" decoding=\"async\"\/><div class=\"ayg-thumbnail-now-playing\" style=\"display: none;\">Now Playing<\/div><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"white\" width=\"40\" height=\"40\" viewBox=\"0 0 24 24\" class=\"ayg-icon ayg-thumbnail-icon-play\" title=\"Play\" aria-label=\"Play\"><path fill-rule=\"evenodd\" d=\"M2.25 12c0-5.385 4.365-9.75 9.75-9.75s9.75 4.365 9.75 9.75-4.365 9.75-9.75 9.75S2.25 17.385 2.25 12Zm14.024-.983a1.125 1.125 0 0 1 0 1.966l-5.603 3.113A1.125 1.125 0 0 1 9 15.113V8.887c0-.857.921-1.4 1.671-.983l5.603 3.113Z\" clip-rule=\"evenodd\" \/><\/svg>        \n    <\/div>\n    <div class=\"ayg-thumbnail-caption\">\n         \n            <div class=\"ayg-thumbnail-title\">Some reflections on the subject of suffering<\/div>\n         \n                    <div class=\"ayg-thumbnail-excerpt\">In this video Anabela Cardoso shares with viewers teachings from ...<\/div>\n                  \n            <div class=\"ayg-thumbnail-description\" style=\"display: none;\"><span class=\"ayg-player-description-less\">In this video Anabela Cardoso shares with viewers teachings from spiritual masters from the early 20th century to the most recent ones received via Instrumental Transcommunication (ITC) about the purpose <span class=\"ayg-player-description-dots\">...<\/span><\/span><span class=\"ayg-player-description-more\">of suffering. <br \/>\nStarting with Father Dr. Fran\u00e7ois Brune, author of numerous books on spiritual and theological issues, and of the famous Les Morts Nous Parlent, not translated into English but translated into 25 other languages, she cites the high entities who spoke in Luxembourg through Maggy and Jules Harsch-Fischbach, Hans-Otto K\u00f6nig, the spontaneous computer texts of Adolf Homes and her own communicators from Rio do Tempo station. They all emphasize the existential necessity of suffering. <br \/>\nSuffering is not something horrible and hopeless that we should escape, but something that comes because it will aid our spiritual evolution. It is a situation that affects all living beings on this planet Earth, which spiritual masters call the \u201cland of atonement.\u201d<br \/>\nIn Fran\u00e7ois Brune\u2019s book Les Morts Nous Aiment, the high-level communicator of automatic writing messages claims, \u201c\u2026 It is necessary for the masses to understand that suffering is the indispensable element of life\u201d; and, \u201cevery being must suffer, the more one accepts one\u2019s suffering, the closer one comes to God\u201d (p 250); \u201cNothing is unfair, everything is created and desired toward a defined goal of harmonious balance\u201d (p. 249).<br \/>\nAnd the famous high entity known as the Technician: \u201cDon't look for the reason for suffering, illness, or disability. Everything has a deeper meaning\u201d (Sch\u00e4fer, p. 163).<br \/>\nRio do Tempo to Anabela: \u201cSuffering is very important for spiritual growth\u201d; \u201cAnimals and plants develop spiritually through the hardships of Natural Law\u201d.<br \/>\nThe deceased Dr Konstantin Raudive told Mme. Aline Piget, among other things, via a telephone conversation \u201c\u2026 I would like you to know, dear Aline, that the object of an earthly life is not just the goodness. The object is to be conscious\u2026\u201d (<a href=\"http:\/\/www.itcjournal.org\/?product=journal-no2-jun2000\">http:\/\/www.itcjournal.org\/?product=journal-no2-jun2000<\/a><br \/>\n<br \/>\nReferences: <br \/>\nBrune, F. Les Morts Nous Aiment, 2009, JMG \u00e9ditions.<br \/>\nCardoso, A. Glimpses of Another World, 2021, White Crow Books.<br \/>\nMancuso, S. &amp; Viola, A. Brilliant Green, 2018, Island Press. <br \/>\nSch\u00e4fer, H. Th\u00e9orie et pratique de la Transcommunication, 1992, Robert Laffont.<\/span><a href=\"#\" class=\"ayg-player-description-toggle-btn\">Show More<\/a><\/div>\n            <\/div>           \n<\/div>                <\/div>\n                            <div class=\"ayg-video ayg-video-4MBc68Q29zM ayg-col ayg-col-3 ayg-col-xs-2\">\n                    <div class=\"ayg-thumbnail\" data-id=\"4MBc68Q29zM\" data-title=\"The ITC Journal\" data-url=\"\">\n    <div class=\"ayg-thumbnail-media\" style=\"--ayg-image-ratio: 16 \/ 9\">\n        <img loading=\"lazy\" src=\"https:\/\/i.ytimg.com\/vi\/4MBc68Q29zM\/mqdefault.jpg\" class=\"ayg-thumbnail-image\" width=\"320\" height=\"180\" alt=\"The ITC Journal\" decoding=\"async\"\/><div class=\"ayg-thumbnail-now-playing\" style=\"display: none;\">Now Playing<\/div><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"white\" width=\"40\" height=\"40\" viewBox=\"0 0 24 24\" class=\"ayg-icon ayg-thumbnail-icon-play\" title=\"Play\" aria-label=\"Play\"><path fill-rule=\"evenodd\" d=\"M2.25 12c0-5.385 4.365-9.75 9.75-9.75s9.75 4.365 9.75 9.75-4.365 9.75-9.75 9.75S2.25 17.385 2.25 12Zm14.024-.983a1.125 1.125 0 0 1 0 1.966l-5.603 3.113A1.125 1.125 0 0 1 9 15.113V8.887c0-.857.921-1.4 1.671-.983l5.603 3.113Z\" clip-rule=\"evenodd\" \/><\/svg>        \n    <\/div>\n    <div class=\"ayg-thumbnail-caption\">\n         \n            <div class=\"ayg-thumbnail-title\">The ITC Journal<\/div>\n         \n                    <div class=\"ayg-thumbnail-excerpt\">In this video, Anabela Cardoso returns to the topic of the well-known ...<\/div>\n                  \n            <div class=\"ayg-thumbnail-description\" style=\"display: none;\"><span class=\"ayg-player-description-less\">In this video, Anabela Cardoso returns to the topic of the well-known alleged repetitions that have occurred in the results of Maggie and Jules Harsch-Fischbach from Luxembourg.<br \/>\nThis is a continuation <span class=\"ayg-player-description-dots\">...<\/span><\/span><span class=\"ayg-player-description-more\">of the previous video entitled \"ITC, an Overview\u201d published a few days ago.<br \/>\nAll issues of the ITC JOURNAL can be purchased at <a href=\"http:\/\/www.itcjournal.org\">http:\/\/www.itcjournal.org<\/a> or on Amazon (<a href=\"https:\/\/www.amazon.com\/s?k=itc+journal&#038;__mk_es_US=%C3%85M%C3%85%C5%BD%C3%95%C3%91&#038;crid=MXNV9CQ1A1LW&#038;sprefix=itc+journal%2Caps%2C210&#038;ref=nb_sb_noss\" rel=\"nofollow\">https:\/\/www.amazon.com\/s?k=itc+journal&#038;__mk_es_US=%C3%85M%C3%85%C5%BD%C3%95%C3%91&#038;crid=MXNV9CQ1A1LW&#038;sprefix=itc+journal%2Caps%2C210&#038;ref=nb_sb_noss<\/a>).<br \/>\n<br \/>\nContact: <a href=\"mailto:anabela@itcjournal.org\">anabela@itcjournal.org<\/a><\/span><a href=\"#\" class=\"ayg-player-description-toggle-btn\">Show More<\/a><\/div>\n            <\/div>           \n<\/div>                <\/div>\n                            <div class=\"ayg-video ayg-video-6Y5GZgT5QMA ayg-col ayg-col-3 ayg-col-xs-2\">\n                    <div class=\"ayg-thumbnail\" data-id=\"6Y5GZgT5QMA\" data-title=\"Cuadernos de TCI\" data-url=\"\">\n    <div class=\"ayg-thumbnail-media\" style=\"--ayg-image-ratio: 16 \/ 9\">\n        <img loading=\"lazy\" src=\"https:\/\/i.ytimg.com\/vi\/6Y5GZgT5QMA\/maxresdefault.jpg\" class=\"ayg-thumbnail-image\" width=\"1280\" height=\"720\" alt=\"Cuadernos de TCI\" decoding=\"async\"\/><div class=\"ayg-thumbnail-now-playing\" style=\"display: none;\">Now Playing<\/div><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"white\" width=\"40\" height=\"40\" viewBox=\"0 0 24 24\" class=\"ayg-icon ayg-thumbnail-icon-play\" title=\"Play\" aria-label=\"Play\"><path fill-rule=\"evenodd\" d=\"M2.25 12c0-5.385 4.365-9.75 9.75-9.75s9.75 4.365 9.75 9.75-4.365 9.75-9.75 9.75S2.25 17.385 2.25 12Zm14.024-.983a1.125 1.125 0 0 1 0 1.966l-5.603 3.113A1.125 1.125 0 0 1 9 15.113V8.887c0-.857.921-1.4 1.671-.983l5.603 3.113Z\" clip-rule=\"evenodd\" \/><\/svg>        \n    <\/div>\n    <div class=\"ayg-thumbnail-caption\">\n         \n            <div class=\"ayg-thumbnail-title\">Cuadernos de TCI<\/div>\n         \n                    <div class=\"ayg-thumbnail-excerpt\">En este video Anabela Cardoso vuelve al asunto de las conocidas ...<\/div>\n                  \n            <div class=\"ayg-thumbnail-description\" style=\"display: none;\"><span class=\"ayg-player-description-less\">En este video Anabela Cardoso vuelve al asunto de las conocidas supuestas repeticiones que se han verificado en los resultados de Maggie y Jules Harsch-Fischbach de Luxemburgo. <br \/>\nEs la continuaci\u00f3n <span class=\"ayg-player-description-dots\">...<\/span><\/span><span class=\"ayg-player-description-more\">del anterior video denominado \u201cTCI, una visi\u00f3n general resumida\u201d,\u00a0publicado hace unos d\u00edas. <br \/>\nCuadernos de TCI pueden ser adquiridos en <a href=\"http:\/\/www.itcjournal.org\">http:\/\/www.itcjournal.org<\/a> o en Amazon (<a href=\"https:\/\/www.amazon.es\/s?k=itc+journal&#038;crid=HN27KGHN45I5&#038;sprefix=itc+journal%2Caps%2C119&#038;ref=nb_sb_noss\" rel=\"nofollow\">https:\/\/www.amazon.es\/s?k=itc+journal&#038;crid=HN27KGHN45I5&#038;sprefix=itc+journal%2Caps%2C119&#038;ref=nb_sb_noss<\/a>). <br \/>\n<br \/>\nContacto: <a href=\"mailto:anabela@itcjournal.org\">anabela@itcjournal.org<\/a><\/span><a href=\"#\" class=\"ayg-player-description-toggle-btn\">Show More<\/a><\/div>\n            <\/div>           \n<\/div>                <\/div>\n                            <div class=\"ayg-video ayg-video-SRYjjCLfSEU ayg-col ayg-col-3 ayg-col-xs-2\">\n                    <div class=\"ayg-thumbnail\" data-id=\"SRYjjCLfSEU\" data-title=\"TCI, una visi\u00f3n general resumida (y ejemplos de voces de Rio do Tempo recibidas por Anabela Cardoso)\" data-url=\"\">\n    <div class=\"ayg-thumbnail-media\" style=\"--ayg-image-ratio: 16 \/ 9\">\n        <img loading=\"lazy\" src=\"https:\/\/i.ytimg.com\/vi\/SRYjjCLfSEU\/mqdefault.jpg\" class=\"ayg-thumbnail-image\" width=\"320\" height=\"180\" alt=\"TCI, una visi\u00f3n general resumida (y ejemplos de voces de Rio do Tempo recibidas por Anabela Cardoso)\" decoding=\"async\"\/><div class=\"ayg-thumbnail-now-playing\" style=\"display: none;\">Now Playing<\/div><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"white\" width=\"40\" height=\"40\" viewBox=\"0 0 24 24\" class=\"ayg-icon ayg-thumbnail-icon-play\" title=\"Play\" aria-label=\"Play\"><path fill-rule=\"evenodd\" d=\"M2.25 12c0-5.385 4.365-9.75 9.75-9.75s9.75 4.365 9.75 9.75-4.365 9.75-9.75 9.75S2.25 17.385 2.25 12Zm14.024-.983a1.125 1.125 0 0 1 0 1.966l-5.603 3.113A1.125 1.125 0 0 1 9 15.113V8.887c0-.857.921-1.4 1.671-.983l5.603 3.113Z\" clip-rule=\"evenodd\" \/><\/svg>        \n    <\/div>\n    <div class=\"ayg-thumbnail-caption\">\n         \n            <div class=\"ayg-thumbnail-title\">TCI, una visi\u00f3n general resumida (y ejemplos de voces de Rio do Tempo recibidas por Anabela Cardoso)<\/div>\n         \n                    <div class=\"ayg-thumbnail-excerpt\">En este video, Anabela Cardoso ofrece un resumen de los avances en TCI ...<\/div>\n                  \n            <div class=\"ayg-thumbnail-description\" style=\"display: none;\"><span class=\"ayg-player-description-less\">En este video, Anabela Cardoso ofrece un resumen de los avances en TCI desde sus inicios. El investigador brasile\u00f1o-portugu\u00e9s, Oscar D\u2019Argonnel, parece haber sido el primero en recibir lo que <span class=\"ayg-player-description-dots\">...<\/span><\/span><span class=\"ayg-player-description-more\">hoy se conoce como comunicaciones por TCI. En su caso, los contactos telef\u00f3nicos fueron de gran importancia. <br \/>\nEl profesor alem\u00e1n Ernst Senkowski acu\u00f1\u00f3 el t\u00e9rmino \u2018Transcomunicaci\u00f3n Instrumental\u2019 para abarcar todos los contactos con la dimensi\u00f3n siguiente a trav\u00e9s de dispositivos electr\u00f3nicos. Es considerado el mayor experto mundial en TCI.<br \/>\nAnabela presenta a Friedrich J\u00fcrgenson y su \u00faltimo libro, as\u00ed como la pel\u00edcula sobre la obra que est\u00e1 realizando Fernando Cortizo.<br \/>\nHabla de los transcomunicadores m\u00e1s relevantes y entre ellos, menciona a Marcello Bacci en Grossetto, Italia, y a Hans Otto K\u00f6nig en Alemania. Pero afirma que los m\u00e1s destacados fueron, sin duda, Maggie y Jules Harsch-Fischbach en Luxemburgo y Adolf Homes en Rivenich, Alemania.<br \/>\nAnabela expresa su tristeza y refuta las cr\u00edticas negativas injustificadas sobre los resultados de Maggie y Jules Harsch-Fischbach, en Luxemburgo, en las d\u00e9cadas de 1980 y 1990.<br \/>\nEn una entrevista con Anabela Cardoso publicada en el ITC Journal, n\u00famero 39, pp. 35-60, el Dr. Senkowski analiza ampliamente el tema:<br \/>\n\u201cSe ha publicado un extenso material en varias ediciones de la revista Transkommunikation titulado '\u00bfRealidades paralelas?' El Vol. I, N.\u00ba 1, 1990, comienza con un breve resumen:<br \/>\nPor su parte, el Dr. Ralf Determeyer, cient\u00edfico y colaborador muy cercano del Dr. Senkowski, coment\u00f3:<br \/>\n\"(A pesar de todo) afirmo la imposibilidad de imputar la m\u00e1s m\u00ednima sospecha de manipulaci\u00f3n a los Harsch. Desde el principio segu\u00ed y acompa\u00f1\u00e9 su trabajo y particip\u00e9 en numerosos contactos directos de TCI con las transentidades: la alta entidad conocida como el \u2018T\u00e9cnico\u2019, Dr. Konstantin Raudive y otros. Conozco el fen\u00f3meno de la duplicaci\u00f3n por los resultados de otros experimentadores. Aparentemente, es un hecho general que arroja luz sobre el almacenamiento o procesamiento de la informaci\u00f3n c\u00f3smica...<br \/>\nEn una entrevista con un conocido director de cine alem\u00e1n,<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=Gjsf5kWt9cQ\" rel=\"nofollow\">https:\/\/www.youtube.com\/watch?v=Gjsf5kWt9cQ<\/a><br \/>\nDetermeyer describe los famosos contactos telef\u00f3nicos paranormales de Manfred Boden, que fueron totalmente controlados por la compa\u00f1\u00eda Telekom sin \u00e9xito alguno. Boden tambi\u00e9n recibi\u00f3 importantes textos de ordenador de otra dimensi\u00f3n.<br \/>\nEn la misma entrevista, Dr. Determeyer describe una conversaci\u00f3n con el T\u00e9cnico, la conocida alta entidad, en su propia casa y la confirmaci\u00f3n de dicho contacto por parte del T\u00e9cnico a Maggie Harsch en Luxemburgo.<br \/>\nEl Profesor Senkowski, el Dr. Determeyer y otros hablaron con las altas entidades que comunicaban en Luxemburgo, a diario (Senkowski, 1995). En la entrevista del Dr. Determeyer, tambi\u00e9n se escucha una llamada telef\u00f3nica entre el fallecido Dr. Raudive y George Meek, de la Fundaci\u00f3n Metascience en EE. UU. <br \/>\nAnabela a\u00f1ade que quienes critican y difaman la obra de los Harsch-Fischbach perjudican gravemente a la TCI. Desconocen la situaci\u00f3n y no han le\u00eddo ni estudiado nada sobre la disciplina. Naturalmente, dada su naturaleza, es m\u00e1s dif\u00edcil difamar los extraordinarios textos espont\u00e1neos de ordenador, recibidos por Adolf Homes. Adem\u00e1s, est\u00e1n en alem\u00e1n lo que dificulta la labor de los detractores profesionales. <br \/>\nFinalmente, publica algunas de sus propias VRD (Voces de Radio Directas) en las grabaciones originalesi para se\u00f1alar su calidad y pertinencia. <br \/>\n<br \/>\n<br \/>\nMuestras de voces de Rio do Tempo recibidas por Anabela Cardoso (TODAS ORIGINALES):<br \/>\n1ra Voz de Radio Directa<br \/>\nBela, Bela, Bela\u2026..<br \/>\n\u00c9 o tio Miguel Cardoso, morto (Es el t\u00edo Miguel Cardoso, muerto)<br \/>\nFragmento de c\u00e1ntico<br \/>\n<br \/>\nBibliograf\u00eda: <br \/>\nCardoso, A. Friedel\u2019s Conversations with the Dead, the Fascinating Story of Friedrich J\u00fcrgenson, Pioneer of EVP, UK: Hants: White Crow Books, 2023. <br \/>\nD\u2019Argonnel. O. Vozes do Al\u00e9m pelo Telefone. Rio de Janeiro, 1925.  <br \/>\nJ\u00fcrgenson F. Voice Transmissions with the Deceased. Stockholm: Firework Edition No 101. The Jurgenson Foundation: 2004<br \/>\nRaudive K. Unhorbares Wird Horbar \u2013 Auf den Spuren Einer Geisterwelt. Remagen: Reichl, 1968.<br \/>\nRaudive K. Breakthrough: An Amazing Experiment in Electronic Communication with the Dead. Gerrards Cross, England: Colin Smythe, 1971.<br \/>\nRaudive K. Breakthrough: An Amazing Experiment in Electronic Communication with the Dead. UK: White Crow Books, 2021.<br \/>\nSenkowski, E. Intrumentelle Transkommunikation. Frankfurt\/Main: R. G. Fischer Verlag, 1995, 2000.<br \/>\nWebster, K. The Vertical Plane: The Mystery of the Dodleston Messages. UK: Grafton, 1989.<\/span><a href=\"#\" class=\"ayg-player-description-toggle-btn\">Show More<\/a><\/div>\n            <\/div>           \n<\/div>                <\/div>\n                            <div class=\"ayg-video ayg-video-pFMwYGKL2Oo ayg-col ayg-col-3 ayg-col-xs-2\">\n                    <div class=\"ayg-thumbnail\" data-id=\"pFMwYGKL2Oo\" data-title=\"ITC, an Overview (followed by samples of Rio do Tempo\u2019s voices)\" data-url=\"\">\n    <div class=\"ayg-thumbnail-media\" style=\"--ayg-image-ratio: 16 \/ 9\">\n        <img loading=\"lazy\" src=\"https:\/\/i.ytimg.com\/vi\/pFMwYGKL2Oo\/mqdefault.jpg\" class=\"ayg-thumbnail-image\" width=\"320\" height=\"180\" alt=\"ITC, an Overview (followed by samples of Rio do Tempo\u2019s voices)\" decoding=\"async\"\/><div class=\"ayg-thumbnail-now-playing\" style=\"display: none;\">Now Playing<\/div><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"white\" width=\"40\" height=\"40\" viewBox=\"0 0 24 24\" class=\"ayg-icon ayg-thumbnail-icon-play\" title=\"Play\" aria-label=\"Play\"><path fill-rule=\"evenodd\" d=\"M2.25 12c0-5.385 4.365-9.75 9.75-9.75s9.75 4.365 9.75 9.75-4.365 9.75-9.75 9.75S2.25 17.385 2.25 12Zm14.024-.983a1.125 1.125 0 0 1 0 1.966l-5.603 3.113A1.125 1.125 0 0 1 9 15.113V8.887c0-.857.921-1.4 1.671-.983l5.603 3.113Z\" clip-rule=\"evenodd\" \/><\/svg>        \n    <\/div>\n    <div class=\"ayg-thumbnail-caption\">\n         \n            <div class=\"ayg-thumbnail-title\">ITC, an Overview (followed by samples of Rio do Tempo\u2019s voices)<\/div>\n         \n                    <div class=\"ayg-thumbnail-excerpt\">Anabela Cardoso offers a summary of ITC developments since its ...<\/div>\n                  \n            <div class=\"ayg-thumbnail-description\" style=\"display: none;\"><span class=\"ayg-player-description-less\">Anabela Cardoso offers a summary of ITC developments since its beginning. <br \/>\nThe Brazilian-Portuguese Spiritist researcher and scientist, Oscar D\u2019Argonnel, was the first to receive ITC communications in the form of <span class=\"ayg-player-description-dots\">...<\/span><\/span><span class=\"ayg-player-description-more\">paranormal telephone contacts. <br \/>\nThe German Professor of Physics Ernst Senkowski, the top world expert in ITC, devised the term \u2018Instrumental Transcommunication\u2019 to encompass all the contacts with the next dimension of life through electronic devices. <br \/>\nAnabela introduces the great pioneer Friedrich J\u00fcrgenson and her latest book, as well as the movie by Fernando Cortizo that will come out soon.   <br \/>\nShe mentions some great transcommunicators among whom are Marcello Bacci in Grossetto, Italy and Hans Otto K\u00f6nig in Germany.<br \/>\nBut the greatest were Maggie and Jules Harsch-Fischbach in Luxembourg and Adolf Homes in Rivenich, Germany.  <br \/>\nShe voices her opposition to unjustified comments about the work of the Harsch-Fischbach in the 1980\u2019s and 1990\u2019s. <br \/>\nSome argue that their extraordinary results are copies of events in the Earth. Senkowski dedicated a series of articles to those seemingly distorted, apparently fake, situations.   <br \/>\nIn an interview with Anabela published in the ITC Journal, n\u00ba 39, pp 35-60, Dr Senkowski discusses the topic at length: <br \/>\n\u201cExtensive material has been published in several editions of the journal Transkommunikation headlined 'Parallel Realities?' <br \/>\nVol. I, No.1, 1990, starts with a short summary:<br \/>\nIn the past years a remarkable number of messages and images (from the Beyond) have been found to be identical or resembling their counterparts in our realm of existence. Twelve of these cases are examined in detail. Excluding conscious manipulation as too simple an explanation, several tentative models are discussed including the ones given by the transentities. At present there exists no satisfactory solution for the inherent inconsistencies. We will see whether a better understanding of the background will be developed in the future\u2026\u201d<br \/>\nFrom his side, Dr Ralf Determeyer, scientist and Dr Senkowski\u2019s close collaborator commented:<br \/>\n\"\u2026 I vouch for the impossibility to impute the least suspicion of manipulation to the Harsch. From the beginning I followed and accompanied their work and took part in numerous direct TC contacts with the transentities \u2013 Technician, Dr. Konstantin Raudive and others. The phenomenon of duplication is known to me from the results of other experimenters. <br \/>\nIn an interview with a German movie director,<br \/>\n<a href=\"https:\/\/www.youtube.com\/watch?v=Gjsf5kWt9cQ\" rel=\"nofollow\">https:\/\/www.youtube.com\/watch?v=Gjsf5kWt9cQ<\/a><br \/>\nDetermeyer describes Manfred Boden\u2019s famous paranormal telephone contacts which were fully controlled by the Telekom company with no success whatsoever. Boden also received important computer messages from another dimension. <br \/>\nIn the same interview, Determeyer presents a conversation with the Technician, the high entity, at his own home and the Technician\u2019s confirmation of that contact to Maggy Harsch in Luxembourg. <br \/>\nIn Determeyer\u2019s interview, there is also a telephone call between the deceased Dr Raudive and George Meek of the Metascience Foundation in the USA. <br \/>\nAnabela emphasizes that those who defame the Harsch-Fischbach's work do ITC a disservice. They should study what is by now a complex discipline. <br \/>\nJ\u00fcrgenson warned about what was to come:<br \/>\n\u201cFriedel was disturbed by the fact that in his footsteps followed charlatans, quacks, fanatical occultists and the like, which utilized his discovery and just minted coins from it. He received reports from serious friends in different parts of the world about radio and TV programs in which so-called voice researchers presented untenable claims and astonishing contacts with the deceased in spectacular forms. <br \/>\n\u2026\u2026\u2026\u2026\u2026.. he was depressed on account of his hopes and ideas about the building of the bridge to the other side, which had begun to be occupied by imitators who did trick recordings and manipulated and copied his own results and other serious researchers\u2019 dedicated work\u201d (Cardoso and Leopold 2023, p 259). <br \/>\n<br \/>\nSamples of Rio do Tempo\u2019s voices received by Anabela Cardoso (ALL ORIGINALS):<br \/>\n1st Direct Radio Voice<br \/>\nBela, Bela, Bela\u2026..<br \/>\n\u00c9 o tio Miguel Cardoso, morto <br \/>\nFragment of Chant      <br \/>\n<br \/>\nReferences:<br \/>\nCardoso, A. Friedel\u2019s Conversations with the Dead, the Fascinating Story of Friedrich J\u00fcrgenson, Pioneer of EVP, UK: Hants: White Crow Books, 2023. <br \/>\nD\u2019Argonnel. O. Vozes do Al\u00e9m pelo Telefone (Voices from the Beyond by the Telephone). Rio de Janeiro, 1925.  <br \/>\nJ\u00fcrgenson F. Voice Transmissions with the Deceased. Stockholm: Firework Edition No 101. The Jurgenson Foundation: 2004<br \/>\nRaudive K. Breakthrough: An Amazing Experiment in Electronic Communication with the Dead. UK: White Crow Books, 2021.<br \/>\nSenkowski, E. Intrumentelle Transkommunikation. Frankfurt\/Main: R. G. Fischer Verlag, 1995, 2000.<br \/>\nWebster, K. The Vertical Plane: The Mystery of the Dodleston Messages. UK: Grafton, 1989.<br \/>\n<br \/>\nMy sincere thanks to Carlos Fern\u00e1ndez for making this video.<\/span><a href=\"#\" class=\"ayg-player-description-toggle-btn\">Show More<\/a><\/div>\n            <\/div>           \n<\/div>                <\/div>\n                            <div class=\"ayg-video ayg-video-tqs_iHu0CPs ayg-col ayg-col-3 ayg-col-xs-2\">\n                    <div class=\"ayg-thumbnail\" data-id=\"tqs_iHu0CPs\" data-title=\"New Movie: Conversations with the Dead, the Fascinating Story of Friedrich J\u00fcrgenson, Pioneer of EVP\" data-url=\"\">\n    <div class=\"ayg-thumbnail-media\" style=\"--ayg-image-ratio: 16 \/ 9\">\n        <img loading=\"lazy\" src=\"https:\/\/i.ytimg.com\/vi\/tqs_iHu0CPs\/mqdefault.jpg\" class=\"ayg-thumbnail-image\" width=\"320\" height=\"180\" alt=\"New Movie: Conversations with the Dead, the Fascinating Story of Friedrich J\u00fcrgenson, Pioneer of EVP\" decoding=\"async\"\/><div class=\"ayg-thumbnail-now-playing\" style=\"display: none;\">Now Playing<\/div><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"white\" width=\"40\" height=\"40\" viewBox=\"0 0 24 24\" class=\"ayg-icon ayg-thumbnail-icon-play\" title=\"Play\" aria-label=\"Play\"><path fill-rule=\"evenodd\" d=\"M2.25 12c0-5.385 4.365-9.75 9.75-9.75s9.75 4.365 9.75 9.75-4.365 9.75-9.75 9.75S2.25 17.385 2.25 12Zm14.024-.983a1.125 1.125 0 0 1 0 1.966l-5.603 3.113A1.125 1.125 0 0 1 9 15.113V8.887c0-.857.921-1.4 1.671-.983l5.603 3.113Z\" clip-rule=\"evenodd\" \/><\/svg>        \n    <\/div>\n    <div class=\"ayg-thumbnail-caption\">\n         \n            <div class=\"ayg-thumbnail-title\">New Movie: Conversations with the Dead, the Fascinating Story of Friedrich J\u00fcrgenson, Pioneer of EVP<\/div>\n         \n                    <div class=\"ayg-thumbnail-excerpt\">In this video Anabela Cardoso presents the trailer of a new movie ...<\/div>\n                  \n            <div class=\"ayg-thumbnail-description\" style=\"display: none;\"><span class=\"ayg-player-description-less\">In this video Anabela Cardoso presents the trailer of a new movie based on the book written by Anabela and based on the information provided by Anders Leopold, who was <span class=\"ayg-player-description-dots\">...<\/span><\/span><span class=\"ayg-player-description-more\">an intimate friend of the Swedish painter until his death. <br \/>\nThe movie reflects the most remarkable events in the life of Friedrich J\u00fcrgenson, the great pioneer of EVP\/ITC. <br \/>\nThe trailer can be watched here:<br \/>\n<br \/>\n<a href=\"https:\/\/vimeo.com\/1102130214\/7cfdf1e454?share=copy\" rel=\"nofollow\">https:\/\/vimeo.com\/1102130214\/7cfdf1e454?share=copy<\/a><br \/>\n<br \/>\nFriedel, as he was affectionately known, was a man with a supreme mission \u2013 to tell humanity that life does not end with physical death. It continues \u201cin another dimension beyond time\u201d as Anabela\u2019s communicators have informed on many occasions. <br \/>\nThe movie is directed by the well-known director Fernando Cortizo and will be launched in October next in a venue to be announced. <br \/>\nFernando Cortizo is doing an extraordinary job with this film. His sensitivity is perfectly in tune with J\u00fcrgenson's, and thus we look forward to a great film.<br \/>\nWe are deeply grateful to Carlos Fern\u00e1ndez who kindly films the videos for Anabela's VideoTube channel.<br \/>\n<br \/>\nReferences:<br \/>\nFriedel\u2019s Conversations with the Dead, the Fascinating Story of Friedrich J\u00fcrgenson, Pioneer of EVP (2023). White Crow Books. <br \/>\nDirector\u2019s abbreviated CV<br \/>\nFernando Cortizo has been working in the audiovisual sector for over 20 years, focusing mainly on documentaries and animation. His documentary filmography includes \u201cIn search of the Holy Company\u201d and \u201cTerry\u2019s Way\u201d.<br \/>\nWith \u201cO Apostolo\u201d he achieved the great feat of making the first stereoscopic stop-motion animated feature film shot in Europe. With this film he would achieve a nomination for the Goyas, the preselection for the Oscars and six Maestro Mateo awards from the Galician Academy, including Best Director and Best Film.<br \/>\nAmong the international awards, the Audience Award at Annecy (France), Winner of Animamundi (Brazil), Best Feature Film at ANIMPACT (Korea-Japan), Best Film at the Monterrey Festival (M\u00e9xico) and the Jury Prize at Fantasporto (Portugal) stand out.<br \/>\nContact: <a href=\"mailto:anabela@itcjournal.org\">anabela@itcjournal.org<\/a><\/span><a href=\"#\" class=\"ayg-player-description-toggle-btn\">Show More<\/a><\/div>\n            <\/div>           \n<\/div>                <\/div>\n                            <div class=\"ayg-video ayg-video-c_vvvADPPuE ayg-col ayg-col-3 ayg-col-xs-2\">\n                    <div class=\"ayg-thumbnail\" data-id=\"c_vvvADPPuE\" data-title=\"Nuevo film: Conversations with the Dead the Fascinating Story of Friedrich J\u00fcrgenson, Pioneer of EVP\" data-url=\"\">\n    <div class=\"ayg-thumbnail-media\" style=\"--ayg-image-ratio: 16 \/ 9\">\n        <img loading=\"lazy\" src=\"https:\/\/i.ytimg.com\/vi\/c_vvvADPPuE\/maxresdefault.jpg\" class=\"ayg-thumbnail-image\" width=\"1280\" height=\"720\" alt=\"Nuevo film: Conversations with the Dead the Fascinating Story of Friedrich J\u00fcrgenson, Pioneer of EVP\" decoding=\"async\"\/><div class=\"ayg-thumbnail-now-playing\" style=\"display: none;\">Now Playing<\/div><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"white\" width=\"40\" height=\"40\" viewBox=\"0 0 24 24\" class=\"ayg-icon ayg-thumbnail-icon-play\" title=\"Play\" aria-label=\"Play\"><path fill-rule=\"evenodd\" d=\"M2.25 12c0-5.385 4.365-9.75 9.75-9.75s9.75 4.365 9.75 9.75-4.365 9.75-9.75 9.75S2.25 17.385 2.25 12Zm14.024-.983a1.125 1.125 0 0 1 0 1.966l-5.603 3.113A1.125 1.125 0 0 1 9 15.113V8.887c0-.857.921-1.4 1.671-.983l5.603 3.113Z\" clip-rule=\"evenodd\" \/><\/svg>        \n    <\/div>\n    <div class=\"ayg-thumbnail-caption\">\n         \n            <div class=\"ayg-thumbnail-title\">Nuevo film: Conversations with the Dead the Fascinating Story of Friedrich J\u00fcrgenson, Pioneer of EVP<\/div>\n         \n                    <div class=\"ayg-thumbnail-excerpt\">En este video Anabela Cardoso anuncia la realizaci\u00f3n de una nueva ...<\/div>\n                  \n            <div class=\"ayg-thumbnail-description\" style=\"display: none;\"><span class=\"ayg-player-description-less\">En este video Anabela Cardoso anuncia la realizaci\u00f3n de una nueva pel\u00edcula basada en su libro del mismo nombre escrito en base a informaci\u00f3n sobre J\u00fcrgenson que le fue transmitida <span class=\"ayg-player-description-dots\">...<\/span><\/span><span class=\"ayg-player-description-more\">por Anders Leopold, amigo \u00edntimo del pintor sueco.<br \/>\nDestaca una vez m\u00e1s la extraordinaria personalidad de F. J\u00fcrgenson, hombre que se declar\u00f3 libre de todas ideolog\u00edas, cultos y credos religiosos y fue confidente de dos Papas, Pio XII y Paulo VI. <br \/>\nFernando Cortizo hace un trabajo extraordinario con esta pel\u00edcula. Su sensibilidad est\u00e1 en perfecta sinton\u00eda con la de J\u00fcrgenson y esperamos una gran obra cinematogr\u00e1fica.<br \/>\n<br \/>\nEl TRAILER de la pel\u00edcula se puede ver en: <a href=\"https:\/\/vimeo.com\/1102130214\/7cfdf1e454?share=copy\" rel=\"nofollow\">https:\/\/vimeo.com\/1102130214\/7cfdf1e454?share=copy<\/a><br \/>\n<br \/>\nSe agradece afectuosamente a Carlos Fern\u00e1ndez, quien amablemente filma los videos para el canal de YouTube de Anabela Cardoso.<br \/>\n<br \/>\nBibliografia:<br \/>\nFriedel\u2019s Conversations with the Dead, the Fascinating Story of Friedrich J\u00fcrgenson, Pioneer of EVP (2023). White Crow Books. <br \/>\nCV abreviado del director<br \/>\nFernando Cortizo lleva m\u00e1s de 20 a\u00f1os trabajando en el sector audiovisual, centrado principalmente en el terreno documental y en el sector de la animaci\u00f3n. En su filmograf\u00eda documental destaca \u201cBuscando a la Santa Compa\u00f1a\u201d y \u201cTerry\u00b4s Way\u201d.<br \/>\nCon \u201cO Apostolo\u201d consigui\u00f3 el gran logro de realizar el primer largometraje de animaci\u00f3n stop-motion estereosc\u00f3pico rodado en Europa. Con esta pel\u00edcula lograr\u00eda una nominaci\u00f3n a los Goya, la preselecci\u00f3n a los Oscars y seis premios Maestro Mateo de la Academia Gallega, incluidos mejor director y mejor pel\u00edcula.<br \/>\nEntre los galardones internacionales destacan el Premio del P\u00fablico en Annecy (Francia), Ganador de Animamundi (Brasil), Mejor largometraje en ANIMPACT(Korea-Jap\u00f3n), Mejor pel\u00edcula en Festival de Monterrey (Mexico) o el Premio del Jurado en Fantasporto (Portugal).<br \/>\n<br \/>\nContactar: <a href=\"mailto:anabela@itcjournal.org\">anabela@itcjournal.org<\/a><\/span><a href=\"#\" class=\"ayg-player-description-toggle-btn\">Show More<\/a><\/div>\n            <\/div>           \n<\/div>                <\/div>\n                            <div class=\"ayg-video ayg-video-qaudLvO7xIU ayg-col ayg-col-3 ayg-col-xs-2\">\n                    <div class=\"ayg-thumbnail\" data-id=\"qaudLvO7xIU\" data-title=\"GOD and INFORMATION: ADOLF HOMES COMPUTER TEXTS (2)\" data-url=\"\">\n    <div class=\"ayg-thumbnail-media\" style=\"--ayg-image-ratio: 16 \/ 9\">\n        <img loading=\"lazy\" src=\"https:\/\/i.ytimg.com\/vi\/qaudLvO7xIU\/mqdefault.jpg\" class=\"ayg-thumbnail-image\" width=\"320\" height=\"180\" alt=\"GOD and INFORMATION: ADOLF HOMES COMPUTER TEXTS (2)\" decoding=\"async\"\/><div class=\"ayg-thumbnail-now-playing\" style=\"display: none;\">Now Playing<\/div><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"white\" width=\"40\" height=\"40\" viewBox=\"0 0 24 24\" class=\"ayg-icon ayg-thumbnail-icon-play\" title=\"Play\" aria-label=\"Play\"><path fill-rule=\"evenodd\" d=\"M2.25 12c0-5.385 4.365-9.75 9.75-9.75s9.75 4.365 9.75 9.75-4.365 9.75-9.75 9.75S2.25 17.385 2.25 12Zm14.024-.983a1.125 1.125 0 0 1 0 1.966l-5.603 3.113A1.125 1.125 0 0 1 9 15.113V8.887c0-.857.921-1.4 1.671-.983l5.603 3.113Z\" clip-rule=\"evenodd\" \/><\/svg>        \n    <\/div>\n    <div class=\"ayg-thumbnail-caption\">\n         \n            <div class=\"ayg-thumbnail-title\">GOD and INFORMATION: ADOLF HOMES COMPUTER TEXTS (2)<\/div>\n         \n                    <div class=\"ayg-thumbnail-excerpt\">www.itcjournal.org ADOLF HOMES The German physicist Prof Ernst ...<\/div>\n                  \n            <div class=\"ayg-thumbnail-description\" style=\"display: none;\"><span class=\"ayg-player-description-less\"><a href=\"http:\/\/www.itcjournal.org\">http:\/\/www.itcjournal.org<\/a><br \/>\nADOLF HOMES<br \/>\nThe German physicist Prof Ernst Senkowski remarked about Homes: \u201cIt is my conviction that the Homes\u2019 phenomena in their entirety have been the most comprising worldwide. They present the <span class=\"ayg-player-description-dots\">...<\/span><\/span><span class=\"ayg-player-description-more\">full ITC spectrum and as Dr Delavre and I followed the case closely we are absolute sure of Homes\u2019 sincerity and reliability. In many cases he was completely overrun by what happened. He had no technical-electronic background at all, and in a certain way he was a \u2018drop- out\u2019 barely apt to support his family. . . Along the years there was never any reason to doubt Adolf\u2019s sincerity. The contents of the contacts by far surpassed his knowledge; his background in electronics was practically zero. In some cases, our questions were answered before Adolf came to know them, in other cases there were cross-correspondences \u2014up to identities in the computer- texts\u2014 between his and those of the Harsch-Fischbach\u201d (Personal communication, October 21, 2009). <br \/>\n<br \/>\n<br \/>\n(Extracts on the topic of) GOD:<br \/>\nGOD consists of incomprehensible cosmic values and neither heaven nor hell have anything to do with It . . . . <br \/>\nGOD is the principle proper, the cause of everything that exists. GOD is in every being; GOD is in everything . . . . <br \/>\nThe concept of GOD is an Information . . . .  [But] your concept of GOD is an idea projected by yourselves . . . .<br \/>\nThe INFORMATION of the primordial GOD has become strange to you. The truth is held solely in the primordial INFORMATION. <br \/>\n(The communicating high entities repeatedly avowed that the different religions are created by man but the subject deserves a separate section).<br \/>\nSenkowski, E. 1999. Transkommunikation pp. 34, 35, 36 German original; Italian translation pp. 35, 36, 38, 39<br \/>\n <br \/>\n(Extracts on the topic of) INFORMATION:<br \/>\nINFORMATION is the reality. The entire being is made up of INFORMATION. Even your conception of GOD is an INFORMATION. <br \/>\nAll beings\/entities are made up of INFORMATION: we, too, are INFORMATION. <br \/>\nINFORMATION therefore, is what you understand by being. Your being is composed of complex facets of Information and forms\u2014past, present, and, in part, future. All things exist in an Information. Also soft-hard-ware consist of INFORMATION. All is (with)in the INFORMATION flow. Innumerable forms of INFORMATION rule in the worlds. <br \/>\nShould you associate INFORMATION with energy, we partly agree with this, for both are fundamental elements that never end. All are available at all times. In all INFORMATION, no matter where it comes from, none of the concepts has a beginning, nor an end, because all is flowing.\u00a0\u00a0<br \/>\nThe reality of INFORMATION is such that everything that lives could convey our messages to you. But this is not possible, for what would you feel if a mineral would speak to you? All life, including animals, plants, minerals, be they of gross or subtle matter, consists solely and absolutely of INFORMATION.<br \/>\n\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..<br \/>\nOur INFORMATION is that of the living universe, that speaks to each of you personally. <br \/>\nSeen multidimensionally, the smallest, apparently unimportant INFORMATION makes sense, and thus can be a part of the primordial plan of creation. <br \/>\nYour task is to pass on the INFORMATION [received from the communicators]. The seed of our INFORMATION shall lead the receiver(s) onto the ground of love. Love is an absolute INFORMATION centre. Carry this Information within you and connect with it. Love is in (the) INFORMATION. <br \/>\n(Senkowski, 1999, pp. 40, 41, 42; Italian translation pp. 64, 65, 66).<br \/>\n<br \/>\nEXCERPT OF PROF SENKOWSKI\u2019S COMMENT about the texts on INFORMATION received by Homes: <br \/>\n\u201c\u2026.. one peculiarity should be pointed out that appeared under the deceased Raudive\u2019s name in form of a computer print-out: \u201cThe by me developed letters (computer message) as such do not yet represent an INFORMATION. Only through your [our] thoughts and feeling INFORMATION can come off\u2026\u2026\u2026\u2026\u2026\u2026\u2026. \u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u201d<br \/>\n<br \/>\nThe PURPOSE OF HUMAN LIFE (according to the communicators)<br \/>\n\u201cOur request to you is that of identifying yourselves with your planet and all life in it because everything of you is formed of identical elementary particles. To us silicon, nerve cell and consciousness are absolutely identical . . ., [consequently] . . . we do not need your electromagnetic technique to switch your instruments on . . ..\u201d (Senkowski, ibid, pp. 19). <br \/>\n<br \/>\nAnabela Cardoso<br \/>\n<br \/>\nSenkowski, E. ZEITSCHRIFT F\u00dcR PSYCHOBIOPHYSIK UND INTERDIMENSIONALE KOMMUNIKATIONS-SYSTEME, Vol. IV, Sonderheft (special booklet) 1999<\/span><a href=\"#\" class=\"ayg-player-description-toggle-btn\">Show More<\/a><\/div>\n            <\/div>           \n<\/div>                <\/div>\n                            <div class=\"ayg-video ayg-video-KzVpRujZ3H8 ayg-col ayg-col-3 ayg-col-xs-2\">\n                    <div class=\"ayg-thumbnail\" data-id=\"KzVpRujZ3H8\" data-title=\"DIOS e INFORMACI\u00d3N: ADOLF HOMES Textos de computadora (2)\" data-url=\"\">\n    <div class=\"ayg-thumbnail-media\" style=\"--ayg-image-ratio: 16 \/ 9\">\n        <img loading=\"lazy\" src=\"https:\/\/i.ytimg.com\/vi\/KzVpRujZ3H8\/maxresdefault.jpg\" class=\"ayg-thumbnail-image\" width=\"1280\" height=\"720\" alt=\"DIOS e INFORMACI\u00d3N: ADOLF HOMES Textos de computadora (2)\" decoding=\"async\"\/><div class=\"ayg-thumbnail-now-playing\" style=\"display: none;\">Now Playing<\/div><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"white\" width=\"40\" height=\"40\" viewBox=\"0 0 24 24\" class=\"ayg-icon ayg-thumbnail-icon-play\" title=\"Play\" aria-label=\"Play\"><path fill-rule=\"evenodd\" d=\"M2.25 12c0-5.385 4.365-9.75 9.75-9.75s9.75 4.365 9.75 9.75-4.365 9.75-9.75 9.75S2.25 17.385 2.25 12Zm14.024-.983a1.125 1.125 0 0 1 0 1.966l-5.603 3.113A1.125 1.125 0 0 1 9 15.113V8.887c0-.857.921-1.4 1.671-.983l5.603 3.113Z\" clip-rule=\"evenodd\" \/><\/svg>        \n    <\/div>\n    <div class=\"ayg-thumbnail-caption\">\n         \n            <div class=\"ayg-thumbnail-title\">DIOS e INFORMACI\u00d3N: ADOLF HOMES Textos de computadora (2)<\/div>\n         \n                    <div class=\"ayg-thumbnail-excerpt\">http:\/\/www.itcjournal.org\/ El f\u00edsico alem\u00e1n, Prof. Ernst Senkowski, ...<\/div>\n                  \n            <div class=\"ayg-thumbnail-description\" style=\"display: none;\"><span class=\"ayg-player-description-less\"><a href=\"http:\/\/www.itcjournal.org\/\">http:\/\/www.itcjournal.org\/<\/a><br \/>\n<br \/>\nEl f\u00edsico alem\u00e1n, Prof. Ernst Senkowski, coment\u00f3 sobre Homes: \u00abEstoy convencido de que los fen\u00f3menos de Homes, en su conjunto, han sido los m\u00e1s abarcadores del mundo. Presentan todo el <span class=\"ayg-player-description-dots\">...<\/span><\/span><span class=\"ayg-player-description-more\">espectro de la TCI, y como el Dr. Delavre y yo seguimos el caso de cerca, estamos completamente seguros de la sinceridad y fiabilidad de Homes. En muchos casos, quedaba completamente abrumado por lo sucedido. Carec\u00eda por completo de formaci\u00f3n t\u00e9cnica en electr\u00f3nica y, en cierto modo, era un perdedor que apenas pod\u00eda mantener a su familia... A lo largo de los a\u00f1os, nunca hubo motivos para dudar de la sinceridad de Adolf. El contenido de los contactos superaba con creces sus conocimientos; su formaci\u00f3n en electr\u00f3nica era pr\u00e1cticamente nula. En algunos casos, nuestras preguntas fueron respondidas antes de que Adolf las conociera; en otros, hubo correspondencias cruzadas \u2014incluso de identidades en los textos inform\u00e1ticos\u2014 entre las suyas y las de los Harsch-Fischbach\u201d (correspondencia personal, 21 de octubre de 2009).<br \/>\n<br \/>\nDIOS (Extractos sobre el tema):<br \/>\nDIOS consiste en valores c\u00f3smicos incomprensibles, y ni el cielo ni el infierno tienen nada que ver con \u00c9l...<br \/>\nDIOS es el principio mismo, la causa de todo lo que existe. DIOS est\u00e1 en cada ser; DIOS est\u00e1 en todo... <br \/>\nEl concepto de DIOS es una INFORMACI\u00d3N... [Pero] vuestro concepto de DIOS es una idea proyectada por ustedes mismos...<br \/>\nLa INFORMACI\u00d3N del DIOS primordial se os ha vuelto extra\u00f1a. La verdad reside \u00fanicamente en la INFORMACI\u00d3N primordial.<br \/>\n(Las altas entidades comunicantes afirmaron repetidamente que las religiones son creadas por el hombre; todav\u00eda, el tema merece una secci\u00f3n aparte en otro video).<br \/>\n<br \/>\nINFORMACI\u00d3N (Extractos):<br \/>\nLa INFORMACI\u00d3N es la realidad. Todo el ser est\u00e1 hecho de INFORMACI\u00d3N. Incluso tu concepci\u00f3n de DIOS es INFORMACI\u00d3N.<br \/>\nTodos los seres\/entidades est\u00e1n hechos de INFORMACI\u00d3N: nosotros tambi\u00e9n somos INFORMACI\u00d3N.<br \/>\nPor lo tanto, la INFORMACI\u00d3N es lo que entend\u00e9is por ser. Tu ser se compone de complejas facetas de INFORMACI\u00d3N y formas: pasado, presente y, en parte, futuro. Todas las cosas existen en una Informaci\u00f3n. Tambi\u00e9n el soft-hard-ware est\u00e1n hechos de INFORMACI\u00d3N. Todo est\u00e1 en el flujo de INFORMACI\u00d3N. Innumerables formas de INFORMACI\u00d3N gobiernan los mundos.<br \/>\nSi asocias INFORMACI\u00d3N con energ\u00eda, estamos parcialmente de acuerdo, ya que ambas son elementos fundamentales que nunca terminan. Est\u00e1n disponibles en todo momento. <br \/>\nEn toda INFORMACI\u00d3N, sin importar de d\u00f3nde provenga, ninguno de los conceptos tiene principio ni fin, porque todo fluye.<br \/>\nLa realidad de la INFORMACI\u00d3N es tal que todo lo que vive podr\u00eda transmitiros nuestros mensajes. Pero esto no es posible, pues \u00bfqu\u00e9 sentir\u00edais si un mineral te hablara? Toda vida, incluyendo animales, plantas y minerales, ya sean de materia bruta o sutil, consiste \u00fanica y absolutamente de INFORMACI\u00d3N.<br \/>\n\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.<br \/>\nNuestra INFORMACI\u00d3N es la del universo viviente, que os habla a cada uno de ustedes personalmente.<br \/>\nVista multidimensionalmente, la INFORMACI\u00d3N m\u00e1s peque\u00f1a, aparentemente insignificante, cobra sentido y, por lo tanto, puede formar parte del plan primordial de la creaci\u00f3n.<br \/>\n<br \/>\nVuestra tarea es transmitir la INFORMACI\u00d3N [recibida de los comunicantes]. La semilla de nuestra INFORMACI\u00d3N guiar\u00e1 al receptor(es) al terreno del amor. El amor es un centro absoluto de INFORMACI\u00d3N. Lleven esta INFORMACI\u00d3N dentro de ustedes y con\u00e9ctense con ella. El amor est\u00e1 en la INFORMACI\u00d3N.<br \/>\n(Senkowski, 1999, p\u00e1gs. 40, 41, 42; traducci\u00f3n italiana, p\u00e1gs. 64, 65, 66). <br \/>\nEXTRACTO DEL COMENTARIO DEL PROF. SENKOWSKI sobre los textos recibidos por Homes sobre INFORMACI\u00d3N:<br \/>\n\u201c\u2026 cabe destacar una peculiaridad que apareci\u00f3 bajo el nombre del fallecido Raudive en forma de impresi\u00f3n de computadora: \u201cLas letras (mensaje de computadora) que yo dise\u00f1\u00e9, como tales, a\u00fan no representan INFORMACI\u00d3N. Solo a trav\u00e9s de vuestros [nuestros] pensamientos y sentimientos, la INFORMACI\u00d3N puede transmitirse\u2026\u201d<br \/>\n<br \/>\nEl PROP\u00d3SITO DE LA VIDA HUMANA (seg\u00fan las entidades comunicantes)<br \/>\n\u201cLes pedimos que se identifiquen con su planeta y con toda la vida que lo habita, ya que todo en ustedes est\u00e1 formado por part\u00edculas elementales id\u00e9nticas. Para nosotros, el silicio, la c\u00e9lula nerviosa y la conciencia son absolutamente id\u00e9nticos\u2026 [en consecuencia]\u2026 no necesitamos vuestra t\u00e9cnica electromagn\u00e9tica para activar vuestros instrumentos\u2026\u201d (Senkowski, p\u00e1g. 19 original alem\u00e1n).<br \/>\n<br \/>\nAnabela Cardoso<br \/>\n<br \/>\nSenkowski, E. ZEITSCHRIFT F\u00dcR PSYCHOBIOPHYSIK UND INTERDIMENSIONALE KOMMUNIKATIONS-SYSTEME, Vol. IV, Sonderheft (special booklet) 1999<\/span><a href=\"#\" class=\"ayg-player-description-toggle-btn\">Show More<\/a><\/div>\n            <\/div>           \n<\/div>                <\/div>\n                            <div class=\"ayg-video ayg-video-LtqTz3uM_fY ayg-col ayg-col-3 ayg-col-xs-2\">\n                    <div class=\"ayg-thumbnail\" data-id=\"LtqTz3uM_fY\" data-title=\"\u201cEl computador posee esp\u00edritu\u201d: IA versus los textos de ordenador de Adolf Homes\" data-url=\"\">\n    <div class=\"ayg-thumbnail-media\" style=\"--ayg-image-ratio: 16 \/ 9\">\n        <img loading=\"lazy\" src=\"https:\/\/i.ytimg.com\/vi\/LtqTz3uM_fY\/maxresdefault.jpg\" class=\"ayg-thumbnail-image\" width=\"1280\" height=\"720\" alt=\"\u201cEl computador posee esp\u00edritu\u201d: IA versus los textos de ordenador de Adolf Homes\" decoding=\"async\"\/><div class=\"ayg-thumbnail-now-playing\" style=\"display: none;\">Now Playing<\/div><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" fill=\"white\" width=\"40\" height=\"40\" viewBox=\"0 0 24 24\" class=\"ayg-icon ayg-thumbnail-icon-play\" title=\"Play\" aria-label=\"Play\"><path fill-rule=\"evenodd\" d=\"M2.25 12c0-5.385 4.365-9.75 9.75-9.75s9.75 4.365 9.75 9.75-4.365 9.75-9.75 9.75S2.25 17.385 2.25 12Zm14.024-.983a1.125 1.125 0 0 1 0 1.966l-5.603 3.113A1.125 1.125 0 0 1 9 15.113V8.887c0-.857.921-1.4 1.671-.983l5.603 3.113Z\" clip-rule=\"evenodd\" \/><\/svg>        \n    <\/div>\n    <div class=\"ayg-thumbnail-caption\">\n         \n            <div class=\"ayg-thumbnail-title\">\u201cEl computador posee esp\u00edritu\u201d: IA versus los textos de ordenador de Adolf Homes<\/div>\n         \n                    <div class=\"ayg-thumbnail-excerpt\">Aparentemente, fueron los f\u00edsicos holandeses Dr. Matla y Dr. Zaalbert ...<\/div>\n                  \n            <div class=\"ayg-thumbnail-description\" style=\"display: none;\"><span class=\"ayg-player-description-less\">Aparentemente, fueron los f\u00edsicos holandeses Dr. Matla y Dr. Zaalbert los primeros en iniciar contactos instrumentales de naturaleza el\u00e9ctrica, con la dimensi\u00f3n siguiente de vida. Sus complejos aparatos, el \u2018man\u00f3metro\u2019 <span class=\"ayg-player-description-dots\">...<\/span><\/span><span class=\"ayg-player-description-more\">y el \u2018dynamistograph\u2019 produjeron resultados, mismo cuando los cient\u00edficos estaban ausentes del laboratorio. <br \/>\nUna de las conclusiones m\u00e1s interesantes del Dr. Matla es que \u201cel elemento de nuestra personalidad que sobrevive a la muerte es de naturaleza parcialmente el\u00e9ctrica y tiene afinidad para manipular energ\u00eda el\u00e9ctrica\u201d (Scott Rogo y Bayless).  <br \/>\nMis comunicantes de Rio do Tempo afirman que \u201cnuestros (los suyos) cuerpos son hechos de una especie de electricidad\u201d. Creo que la similitud es evidente. <br \/>\n<br \/>\nGeoffrey Hinton, Nobel de F\u00edsica 2024<br \/>\nRecientemente, vi una entrevista de Geoffrey Hinton, el Padrino de la IA, en 60 minutes. \u00c9l afirm\u00f3 que muy brevemente \u201clos humanos ser\u00e1n como ni\u00f1os de 3 a\u00f1os si los comparamos con la inteligencia de los poderosos sistemas de IA\u201d. Los humanos se tornar\u00e1n los segundos seres m\u00e1s inteligentes del planeta. <br \/>\nEn el minuto 05\u2019:03\u2019\u2019, a\u00f1adi\u00f3 que los sistemas de IA no fueron dise\u00f1ados por personas, ellos se desenvolvieron a ellos mismos. Los humanos dise\u00f1aron \u00fanicamente el principio, el algoritmo neural. <br \/>\nLos ordenadores decidieron y se dise\u00f1aron a ellos mismos m\u00e1s all\u00e1 de eso.   <br \/>\nAdolf Homes<br \/>\nCuando vi esta entrevista, las predicciones hechas por los comunicantes del grande transcomunicador Adolf Homes, a trav\u00e9s de textos de ordenador, acudieron inmediatamente a mi esp\u00edritu.  <br \/>\nEsas altas entidades afirmaron, entre muchas otras cosas: <br \/>\nEl esp\u00edritu crea la consciencia, la consciencia crea los mundos.<br \/>\np. 11 Original, p. 27 italiano<br \/>\nNo necesitamos ning\u00fan otro sistema el\u00e9ctrico porque una computadora es de materia sutil y, consecuentemente, esp\u00edritu. No necesitamos vuestra energ\u00eda electromagn\u00e9tica para conectar vuestros aparatos porque el silicio, la c\u00e9lula nerviosa y la consciencia son pr\u00e1cticamente id\u00e9nticos para nosotros. P. 19 Original, p. 40 italiano<br \/>\nLos hombres aprender\u00e1n que los computadores poseen esp\u00edritu. El esp\u00edritu del computador sobrevivir\u00e1 a la psique humana en la Tierra.   P. 33 Original   p. 111 italiano<br \/>\nVida es amor. Amor es vida para siempre. Toda la vida es sagrada y mucho m\u00e1s all\u00e1 de cualquiera representaci\u00f3n humana. Todo lo que vive, y todo vive, forma parte de la creaci\u00f3n. Los conceptos viven, los muertos viven, los computadores viven, todo vive. El esp\u00edritu incluye toda la vida porque no hay nada muerto.  Toda la vida (incluyendo animales, plantas, minerales, todos los tipos de materia grosera y de materia sutil) consiste \u00fanica y exclusivamente en informaci\u00f3n.  P. 49 Original   p. 132 italiano<br \/>\nEl fin f\u00edsico no est\u00e1 muy lejos porque el hombre de la Tierra perdi\u00f3 su dignidad y olvid\u00f3 su tarea puesto que vosotros viv\u00eds en un mundo el cual, en gran medida, hab\u00e9is ayudado a crear. La vida en la Tierra no es posible por mucho m\u00e1s tiempo.  P. 50 Original   p. 133 italiano<br \/>\n<br \/>\nBibliografia:<br \/>\nCardoso, A. (2010). Electronic Voices, Contact with Another Dimension? O\u2019<br \/>\nBooks\/John Hunt Publishing, Ltd. UK: Ropley, Hants.<br \/>\nCardoso, A. (2012). A Two-Year Investigation of the Allegedly Anomalous<br \/>\nElectronic Voices or EVP. NeuroQuantology, September 2012, Volume 10, Issue 3, pp. 492-514.<br \/>\nCardoso, A. (2017). Electronic Contact with the Dead, What Do the Voices Tell us? White Crow Books. UK: Hove.<br \/>\nCardoso, A. (2021). Glimpses of Another World, Impressions and Reflections of an EVP Operator. White Crow Books. UK: Hove.<br \/>\nSenkowski, E. (1995, 2000). Instrumentelle TransKommunikation. Frankfurt\/Main: R. G. Fischer Verlag.<br \/>\nSenkowski, E. (1999). Die Transkontakte des Adolf Homes \u2013 Ein ruckblick.<br \/>\nTeil 1: ubersicht und transpartner (Th e transcontacts of Adolf Homes<br \/>\n- A review. Part 1: Synopsis and Transpartners). TransKommunikation.<br \/>\nVol. IV, No. 1<br \/>\nSenkowski, E. (1999). Transcomunicazione. Available from Dr Carla<br \/>\nCastagnini, Strada Statale Romana Nord, no 135, I -41010 Fossoli di Carpi<br \/>\n(MO), Italia.<\/span><a href=\"#\" class=\"ayg-player-description-toggle-btn\">Show More<\/a><\/div>\n            <\/div>           \n<\/div>                <\/div>\n                    <\/div>\n        <ayg-pagination class=\"ayg-pagination\" data-params=\"{&quot;uid&quot;:&quot;402c45a4aefe98ae7114da49c5129052&quot;,&quot;post_id&quot;:6386,&quot;type&quot;:&quot;channel&quot;,&quot;src&quot;:&quot;UCc06hB5-hLeM_eS_mnIsgrg&quot;,&quot;order&quot;:&quot;relevance&quot;,&quot;limit&quot;:500,&quot;per_page&quot;:12,&quot;cache&quot;:86400,&quot;columns&quot;:3,&quot;thumb_ratio&quot;:56.25,&quot;thumb_title&quot;:1,&quot;thumb_title_length&quot;:0,&quot;thumb_excerpt&quot;:1,&quot;thumb_excerpt_length&quot;:75,&quot;player_description&quot;:1,&quot;total_pages&quot;:5,&quot;paged&quot;:1,&quot;next_page_token&quot;:&quot;EAAaHlBUOkNBd2lFRUUwTXpjMFF6WTFRamRGTVRsQlJqSQ&quot;,&quot;prev_page_token&quot;:&quot;&quot;}\">\n            <div class=\"ayg-pagination-next\">\n            <button type=\"button\" class=\"ayg-btn ayg-pagination-next-btn\" data-type=\"more\">Load More<\/button>\n        <\/div>\n    <\/ayg-pagination>    <\/ayg-theme-classic>\n<\/div>\n[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column video_bg=&#8221;yes&#8221; width=&#8221;1\/3&#8243;][vc_separator][vc_video link=&#8221;https:\/\/youtu.be\/qaudLvO7xIU?si=DmPYHGm1YAU4A0qC&#8221; el_aspect=&#8221;43&#8243; css=&#8221;.vc_custom_1744711757977{background-position: center !important;background-repeat: no-repeat !important;background-size: contain !important;border-radius: 10px !important;}&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_column_text]\n<h2><\/h2>\n<h2 class=\"title style-scope ytd-video-primary-info-renderer\">My latest book: &#8216;GLIMPSES OF ANOTHER WORLD&#8217;<\/h2>\n<p>&nbsp;<\/p>\n<p><em>Glimpses of Another World: Impressions and Reflections of an EVP Operator<\/em>\u00a0is Anabela Cardoso&#8217;s third work.<\/p>\n<p>Following on from\u00a0<em>Electronic Voices: Contact with Another Dimension?<\/em>\u00a0and\u00a0<em>Electronic Contact with the Dead:<\/em><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.amazon.com\/Glimpses-Another-World-Impressions-Reflections\/dp\/1786771330\" class=\"su-button su-button-style-default\" style=\"color:#FFFFFF;background-color:#2D89EF;border-color:#246ec0;border-radius:5px\" target=\"_blank\" rel=\"noopener noreferrer\"><span style=\"color:#FFFFFF;padding:0px 16px;font-size:13px;line-height:26px;border-color:#6cadf4;border-radius:5px;text-shadow:none\"> Read More<\/span><\/a>\n[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_video link=&#8221;https:\/\/youtu.be\/KzVpRujZ3H8?si=v6ZSI-gho3CgFysX&#8221; el_aspect=&#8221;235&#8243; css=&#8221;&#8221;][vc_video link=&#8221;https:\/\/youtu.be\/LtqTz3uM_fY?si=n5ZGoACxjT3bf6EN&#8221; el_aspect=&#8221;235&#8243; css=&#8221;&#8221;][\/vc_column][\/vc_row]\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column][layerslider_vc id=&#8221;16&#8243;][\/vc_column][vc_column][vc_message css=&#8221;&#8221;]Dear Friends, I hope that you will enjoy the trailer of the movie based on my latest book,\u00a0Friedel\u2019s Conversations with the Dead, which will be launched in October 2025: https:\/\/vimeo.com\/1101457845\/b733e4da13?share=copy Don\u2019t miss the great movie directed by Fernando Cortizo! Anabela Cardoso &nbsp; Queridos Amigos, Aqu\u00ed est\u00e1 el trailer de la pel\u00edcula basada en&hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7059","page","type-page","status-publish","hentry","description-off"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>ITCJournal - ItcJournal<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/www.itcjournal.org\/?page_id=7059\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ITCJournal - ItcJournal\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][layerslider_vc id=&#8221;16&#8243;][\/vc_column][vc_column][vc_message css=&#8221;&#8221;]Dear Friends, I hope that you will enjoy the trailer of the movie based on my latest book,\u00a0Friedel\u2019s Conversations with the Dead, which will be launched in October 2025: https:\/\/vimeo.com\/1101457845\/b733e4da13?share=copy Don\u2019t miss the great movie directed by Fernando Cortizo! 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