{"id":6432,"date":"2022-09-29T22:17:38","date_gmt":"2022-09-29T22:17:38","guid":{"rendered":"http:\/\/www.itcjournal.org\/?page_id=6432"},"modified":"2025-10-22T11:28:26","modified_gmt":"2025-10-22T11:28:26","slug":"voices-2","status":"publish","type":"page","link":"http:\/\/www.itcjournal.org\/?page_id=6432","title":{"rendered":"Voices"},"content":{"rendered":"
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00 INTRODUCTION BY ANABELA (AC).<\/p>\r\n

AUDIO 1. From the J\u00fcrgenson\u2019s Foundation tape. The EVP says, \u201cso kalt is in Dir\u201d, German (so cold is inside you) in reply to F. J\u00fcrgenson\u2019s comment that it was very cold that day.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-1.-so-kalt_Jurgenson.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 2. From the tape that accompanied Raudive\u2019s Breakthrough<\/em>.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-2.-Raudive-from-Breakthrough-ZENTA_ZENTA.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 3. I started experimenting in visual ITC with the Schreiber method. Once, while speaking with Rio do Tempo, I asked if it is was possible to obtain the transimages. A loud voice, possibly Carlos de Almeida, replied, \u201cConforme, execute uma m\u00e1scara de escultor; Sabe qual \u00e9?<\/em> \u201d (It depends, execute a sculptor\u2019s mask. Do you know what it is?).<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-3-execute-uma-mascara-de-escultor-NR-ORIG.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 4. J\u00c1 PUS A PONTE (I have already put the bridge).<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-4.-Ja-pus-a-ponte-NRORIGAnabela.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 5. Professor Senkowski\u2019s lecture at the SPR 1996 \/ DEVILLE\u2019S message.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-5.-DEVILLE-presented-by-Senkowski-in-SPR-conf-London-1996.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 6. TECHNICIAN (transcription appended).<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-6.-Technician-received-from-Dr-Senkowski.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 7. AC FIRST DRV (Note: understanding that this was a DRV, I was so excited that shouted throughout).<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-7.-First-DRV-NRORIG.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 8. DAVID FONTANA\/TEMPLO ZEN This EVP happened during an interview I gave to the Portuguese channel EXO REALIDADES. It was a very long interview and throughout it dozens of EVP voices (the ones we cannot hear directly) appeared recorded. This one happened when I spoke of Professor David Fontana; the voice utters quite clearly \u201cNo Rio do Tempo, num templo Zen\u201d (In Rio do Tempo, in a Zen temple), probably referring to Dr Fontana in the next world.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-8.-EXO-Realidades-3649-David_No-Rio-do-Tempo-num-templo-Zen.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 9. VOU \u00c0 ALMA (I go to the soul). The last section of a much longer communication (explanation in the audio clip, repeated twice).<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-9.-Vou-a-Alma-ORIG.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 10. TORRE, TORRE during one of the DRVs sessions I asked if they could hear me and the voice replied: \u201cTorre, Torre, \u00e9 o Rio do Tempo\u201d (Tower, tower, this is Rio do Tempo). This happened several times at the beginning of my first contacts.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-10.-Torre-Torre-e-o-Rio-do-Tempo_ORIG.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 11. BELA, BELA, BELA Conversation between AC (Bela) and communicators from Rio do Tempo Station (translation in the audio).<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-11-Bela-Bela-Bela-ORIG.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 11a ONDE VAIS BELINHA? A feminine voice, apparently of my grandmother, asked where I was going the moment I was leaving my studio; RIO DO TEMPO, AQUI PASSAM OS MORTOS (Rio do Tempo, the dead pass through here).<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-11a_onde-vais-Belinha_Rio-do-Tempo-aqui-passam-os-mortos-NRORIGAC.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 12 LUIS CARDOSO and JO\u00c3O CARDOSO reply to my question, who is speaking? I have recorded hundreds of masculine voices that identified as my father Jo\u00e3o Cardoso and many as my brother Luis Cardoso.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-12-MY-BROTHER-LUIS-CARDOSO_MY-FATHER-JOAO-CARDOSO.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 12 a. TALK WITH MY BROTHER LUIS.<\/p>\r\n

I used to ask about my brother Luis frequently. This time a voice addressed me: \u201cOh Bela<\/em> [my petname] eles v\u00e3o arranjar o Luis<\/em>\u201d (\u201cBela, they are going to find Luis\u201d). Then, another voice \u201cEu sou o Lu\u00eds; \u00e9 uma mensagem p\u2019a [para] voc\u00ea!<\/em> \u201d (I am Luis; it is a message fo\u2019 you!), preceded by the Spanish expression \u201cVoy, voy!\u201d<\/em> (I\u2019m coming, I\u2019m coming!) frequently used by Carlos de Almeida. The voice continued \u201cSou eu o Lu\u00eds, oremos no c\u00e9u!<\/em> \u201d (It is I, Luis, let us pray in paradise!). I had heard \u201cSou eu o Lu\u00eds\u201d and called \u201cLu\u00eds! Lu\u00eds!\u201d, our voices overlapped, and the voice continued \u201cOl\u00e1, ol\u00e1<\/em>\u2026.\u201d (Hello, hello\u2026). I said \u201cmany kisses my darling\u201d and asked rhetorically: \u201cIs it you Lu\u00eds?\u201d. The voice replied \u201cSou o Lu\u00eds com certeza<\/em>\u201d (\u201cI am Lu\u00eds, certainly\u201d) less distinctly. Considerable fluctuations in the amplitude and acoustic quality of the electronic voices are a recurrent feature of the majority of the DRV.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-12-a_Talk-with-my-brother-Luis-NR-ORIG.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 13. AV\u00d3 (Grandmother) I asked who was speaking and understood it was my grandmother. The voice confirmed.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-13.-DRV-E-a-tua-Avo-NR-ORIG.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 14. SOU O TIO MIGUEL CARDOSO, MORTO (I am uncle Miguel Cardoso dead).<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-14_Sou-o-tio-Miguel-Cardoso-morto-ORIG.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 15. PEDRO ROQUE (a communicator I don\u2019t recall knowing). AC: Hello, who is speaking? The masculine voice replies \u201c\u00c9 Pedro Roque\u201d (It\u2019s Pedro Roque; AC: Good night friends! The voice utters \u201cEst\u00e1s boa? (Are you all right?) and continues \u201cFala Pedro Roque!\u201d (It is Pedro Roque speaking).<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-15.-E-Pedro-Roque-NR-ORIG.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 16. MY DOG NISHA<\/p>\r\n

A faint voice uttered \u201cNisha<\/em>\u201d followed by \u201cN\u00f3s estamos aqui<\/em>\u201d (We are here). The next day I asked Rio do Tempo if it had been my Nisha who had spoken. They replied: \u201cSim, por acaso<\/em>\u201d (Yes, it happens that it was), followed by 20 seconds with no voices then continued \u201cFoi p\u2019ra ti<\/em>\u201d (It was fo\u2019 you). On another occasion the same childlike voice came through. AC: Quem fala? (Who is speaking?) Reply \u201c\u00c9 a Nisha<\/em>\u201d (It is Nisha). AC: Olha, quem fala? (Look, who is speaking?) DRV: \u201cNisha<\/em>\u201d AC: Mummy? Reply: \u201cSim<\/em>!\u201d (Yes!). Nisha was born in India and we used to call her \u2018mummy\u2019 because she had had puppies at home.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-16-DRV-NISHA-several-pieces-NR-ORIG.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 17. MORTOS, \u00c9 A VOZ DO AMOR. BELA N\u00d3S SOMOS AMOR. (The dead, it is the voice of love. Bela we are love). I said, Rio do Tempo spoke and I was outside (of my studio but I had heard them), and immediately they spoke again.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-17.-Bela-nos-somos-amor-mortos.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 18. EVP VOICES- V\u00c1 NISHA (Nisha, go! \/ Come on, Nisha!). The voices appeared recorded spontaneously during a DRV experiment. One voice seems to encourage my dog Nisha to come forward. Then a different voice, apparently an old lady moaning, follows: \u201cICH WAR MEDIOKER\u201d (I was mediocre) in German. At the end a voice again utters \u201cNISHA\u201d.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-18-Va-NISHA_ICH-WAR-MEDIOKER_NISHA-EVPs.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 19. DAVID FONTANA: HOW ARE YOU? At Professor Fontana\u2019s request, the anomalous voice repeated his words.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-19-David-How-are-you-NR-ORIG.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 20. SOMOS N\u00d3S (It is us), controlled environment \/\/ controlled speech. Reply to Anabela Cardoso\u2019s (AC) question if Rio do Tempo were collaborating in the experiments. There are two amplifications at the beginning of the audio; the original which measures -40dB follows.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-20_27.06.2008_AC-experimenting_SOMOS-NOS_-U-87-03-AmplifiedOrig.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 21 SOMOS CAPAZES SIM (we are able, yes) 06.08.2008 U. Vigo – AC, I\u00f1aki, PN, controlled environment \/\/ controlled speech Reply in Portuguese to the Spanish operator\u2019s question if the communicators could read what he was thinking of. The metallic sound next to the voice was not produced in the shielded Laboratory.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-21_2-Pista-de-Audio.L-18m04-somos-capazesbell_AMPLIFORIG.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 22. GEISLER (Explanation in the main text).<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-22_441_13-min0128-GEISLER-anabela-and-Ingrid-Hartmann.mp3<\/a><\/audio>\r\n\r\n

 <\/p>\r\n\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 23 THIS IS HOT! (Explanation in the main text).<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-23_-2_01-Operators-Voices-3min-THIS-IS-HOT.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 24 SOMOS DOUTRA DIMENS\u00c3O, SOMOS P\u2019RA L\u00c1 DO TEMPO (We are from another dimension; we are from beyond time). Explanation in the audio.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-24-Somos-doutra-dimensao-somos-pra-la-do-tempo-NROriginal.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 25 FRAGMENTS OF CHANTS – N\u00d3S SOMOS OS MORTOS (We are the dead); SOMOS TODOS POBRES HOMENS (We are all poor men).<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-25-FRAGMENTS-OF-CHANTS_NR-ORIG.mp3<\/a><\/audio>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-25-Nos-somos-vos_Somos-todos-pobres-homens-NR-AC.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

AUDIO 26 1. SONOGRAMA. AC asks: Rio do Tempo can you tell how do you produce your voices? The feminine voice replies \u201cDAMOS-LHE A CERTEZA QUE MASCARAMOS, FAZEM-NOS UM SONOGRAMA (You can be sure that we masquerade\/pretend, they do us a sonogram).<\/p>\r\n

This was a very long DRV that contains other statements. I selected:<\/p>\r\n

    \r\n
  1. A MORTE \u00c9 TAO BONITA, (Death is so beautiful), a lower voice: EST\u00c1 CERTO (That\u2019s right)), \u00c9 FEIA \u00c9 NO ESPA\u00c7O! (it is ugly only in [our] space)!\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-26-Sonogramaa-morte-e-tao-bonita-NOISE-REDUCEDORIG.mp3<\/a><\/audio>\r\n<\/li>\r\n<\/ol>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

    AUDIO 27 THESE ARE MORTI! (English and Italian). I had exited the studio for a short time leaving a voice-activated recorder on. The VAR worked three times in sequence. The sounds of the triggering of the recorder can be heard.<\/p>\r\nhttp:\/\/www.itcjournal.org\/wp-content\/uploads\/2022\/09\/AUDIO-27-THESE-ARE-MORTI_ORIG.mp3<\/a><\/audio>\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n[1] AC stands for Anabela Cardoso<\/p>\r\n[1] NR stands for Noise Reduction. When only ORIG is in the title it means the audio clip is from the original recording without any NR.<\/p>\r\n[1] The babble occasionally heard in the background of the main electronic voice\/s is a frequent occurrence in the DRV. Sometimes it can be understood (do Tempo, somos Tempo, etc.) but others it is incomprehensible. Perhaps it is the thoughts of other communicators that we can hear when the \u2018channel\u2019 opens. <\/p>\r\n\r\n[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]\r\n

    NOTES ON THE VOICES:<\/strong><\/p>\r\n

    Download Microsoft Word NOTES ON THE VOICES<\/a><\/strong><\/p>\r\n[\/vc_column_text][\/vc_column][\/vc_row]<\/div>","protected":false},"excerpt":{"rendered":"

    [vc_row][vc_column][vc_column_text] 00 INTRODUCTION BY ANABELA (AC). [\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] AUDIO 1. From the J\u00fcrgenson\u2019s Foundation tape. The EVP says, \u201cso kalt is in Dir\u201d, German (so cold is inside you) in reply to F. J\u00fcrgenson\u2019s comment that it was very cold that day. [\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] AUDIO 2. From the tape that accompanied Raudive\u2019s Breakthrough. [\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text]…<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6432","page","type-page","status-publish","hentry","description-off"],"yoast_head":"\nVoices - ItcJournal<\/title>\n<meta name=\"robots\" content=\"noindex, nofollow\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Voices - ItcJournal\" \/>\n<meta property=\"og:description\" content=\"[vc_row][vc_column][vc_column_text] 00 INTRODUCTION BY ANABELA (AC). [\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] AUDIO 1. From the J\u00fcrgenson\u2019s Foundation tape. The EVP says, \u201cso kalt is in Dir\u201d, German (so cold is inside you) in reply to F. J\u00fcrgenson\u2019s comment that it was very cold that day. [\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] AUDIO 2. From the tape that accompanied Raudive\u2019s Breakthrough. 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[\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] AUDIO 1. From the J\u00fcrgenson\u2019s Foundation tape. The EVP says, \u201cso kalt is in Dir\u201d, German (so cold is inside you) in reply to F. J\u00fcrgenson\u2019s comment that it was very cold that day. [\/vc_column_text][vc_separator color=”turquoise”][\/vc_column][\/vc_row][vc_row][vc_column][vc_column_text] AUDIO 2. From the tape that accompanied Raudive\u2019s Breakthrough. 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